From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #9403 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Tuesday, July 26 2022 Volume 14 : Number 9403 Today's Subjects: ----------------- Horrific back pain GONE in 30 seconds ["Sciatica Sufferers" Subject: Horrific back pain GONE in 30 seconds Horrific back pain GONE in 30 seconds http://flatballyshke.info/vYWzCV15HzzXX-Xz0QqCzMgi3VVXGy9QpD2eM0TTQJAVIE5zog http://flatballyshke.info/7gTsZxacu5xnM2t5pzm9BJWMW2FeC3q_Ri1Aciwdv8dzCrAtWg y 1960, Epic became better known for its signing of newer, fledgling acts. By the end of the 1960s, Epic earned its first gold records and had evolved into a formidable hit-making force in rock and roll, R&B and country music. Among its many acts, it included Roy Hamilton, Bobby Vinton, the Dave Clark Five, the Hollies, Tammy Wynette, Donovan, the Yardbirds, Lulu, July, Helen Shapiro, and Jeff Beck. Several of the British artists on the Epic roster during the 1960s were the result of CBS's Epic/Okeh units' international distribution deal with EMI; Epic recordings were issued by EMI on the Columbia label. Epic was involved in a notable "trade" of artists. Graham Nash was signed to Epic because of his membership in The Hollies. When the newly formed Crosby, Stills & Nash wanted to sign with Atlantic Records, Ahmet Ertegun worked out a deal with Clive Davis whereby Richie Furay's new band Poco (having signed with Atlantic due to Furay's contract from being in Buffalo Springfield) would sign with Epic. Epic's commercial success continued to grow in the 1970s with releases from ABBA (in the UK), Boston, Cheap Trick, the Clash, Charlie Daniels, Gabriel, Heart, Heatwave, the Isley Brothers, the Jacksons, George Jones, Labelle, Meat Loaf, Johnny Nash, Ted Nugent, REO Speedwagon, Minnie Riperton, Pegasus, Charlie Rich, Sly & the Family Stone, Steve Vai, and Edgar Winter. Also contributing to ------------------------------ Date: Sat, 23 Jul 2022 06:03:32 -0400 From: "Burger King Shopper Feedback" Subject: Congratulations! You can get a $100 Burger King gift card! Congratulations! You can get a $100 Burger King gift card! http://dermaprime.biz/Iljy6mgY4WDGPMyZRpXfArUbV84ciU0JUweAHxAjkXvy22jotw http://dermaprime.biz/9JsKUN071nkgHeseQs_wLKRRDW4H-TV3RZGjsTw7BdD45K-T ld outlast the success of her debut single. Music critics including McKinney and Slate's L.V. Anderson wrote that the EP's title track and "All About That Bass" are anti-feminist; Anderson stated that the songs send the message that "a woman's worth is defined by men" and set a negative example for Trainor's young female audience. Trainor responded to the anti-feminism claims by commenting, "I don't know, man! I just wrote a fun song about loving your booty and loving your body!" She released her second single "Lips Are Movin", a retro song in a similar vein to its predecessor, on October 21 that year. The song peaked at number four on the Billboard Hot 100, also reaching the top 10 in Australia, Canada, and New Zealand. Billboard ranked her as the fourth Top New Artist of the year placing her 12th on their annual list of the most powerful people in music under the age of 21. Trainor's three self-released albums were removed from sale in the build-up to the release of her major-label debut studio album Title, which replaced her EP of the same name on the iTunes Store, and was released on January 9, 2015. At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, it received an average score of 59 based on 13 reviews, indicating "mixed or average reviews". The album debuted at number one on the US Billboard 200, earning a triple platinum certification from the RIAA. It was the ninth best-selling album of 2015 worldwide, with 1.8 million copies sold according to IFPI. The album's later singles "Dear Future Husband" and "Like I'm Gonna Lose You" reached the Hot 100's top 20, and the latter reached number one on the Australian Singles Chart. The music video for "Dear Future Husband", which depicts Trainor scrubbing a kitchen floor, drew criticism and online critics labeled it as "sexist" and "anti-feminist" for its portrayal of traditional gender stereotypes. She responded to the cri ------------------------------ End of alt.music.moxy-fruvous digest V14 #9403 **********************************************