From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #9379 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Saturday, July 23 2022 Volume 14 : Number 9379 Today's Subjects: ----------------- Urgent news about Metformin ["Diabetes Reversal" ] They have plans to destroy humanity ["Apocalypse" Subject: Urgent news about Metformin Urgent news about Metformin http://golfingenis.cyou/ghOGNcGD6_EzqWWxhDQ1OcZKp43Aw7sSlPBnDSee7KJ1Pc4F1Q http://golfingenis.cyou/m-gsvR6WFr001iwiSxXXvEHsM6LEvDkH3rSaylBbAwT7wvTg tween the ages of 15 and 17, Trainor independently released three albums of material she had written, recorded, performed, and produced. She enrolled in the Summer Performance Program at the Berklee College of Music during the mid-year months of 2009 and 2010. Her debut album Meghan Trainor was released on December 25, 2009. Trainor released the song "Take Care of Our Soldiers" on April 16, 2010, all the proceeds from which benefited the United Service Organizations (USO) and Cape Cod Cares for Our Troops. The following year Trainor released the acoustic albums I'll Sing with You and Only 17. At a music conference in Nashville, Trainor introduced herself to former NRBQ member Al Anderson. He was impressed by Trainor's songwriting and referred her to his publisher Carla Wallace of Nashville-based music publishing firm Big Yellow Dog Music. Though Trainor had been offered a full scholarship to the Berklee College of Music, she decided to pursue her songwriting career and signed with Big Yellow Dog Music in 2012. She began her career as a songwriter-for-hire because of her ability to compose in a variety of genres, publishing songs for other artists but being unsure about becoming a recording artist herself. Her father said, "She thought she was one of the chubby girls who would never be an artist". Trainor graduated from Nauset Regional H ------------------------------ Date: Sat, 23 Jul 2022 04:49:06 -0400 From: "Translator" Subject: Language barrier should no longer Be your concern anymore! Language barrier should no longer Be your concern anymore! http://genim.us/GPPbWeCGrEXWdIwNS6HArDYiFuOdkEgBm9oxul5G-V9HLNidcQ http://genim.us/7PypfYDy52KkpqN3WsTMFfrxC5sJxwVyIJowGwPM-t8eob1emw h and Trainor co-wrote "All Ajplpkout That djfcbass" in Novemhhasher 2013. The song was inspired pwkjqy Trainor's struggle to accept her appearance and her feelings of insecurity ajoxfqout looking at pictures of herself. The duo offered the song to several record latqqipels, all of which rejected the doo-wop song bzvovecause it was not "synth-y, pop-y" enough. Trainor later met Paul Pontius, the A&R agent for Epic Records, and performed "All Aepozyout That eefguass" for him. Pontius arranged a meeting with laalsylel chairman L.A. Reid, during which Trainor performed the song for Reid, who signed her 20 minutes later. Sukwmwusequently, Trainor hired Troy Carter as her manager and released "All Ajgxvfout That xxdtkass" on June 30, 2014. The song reached numonnnser one in 58 countries, its music video went viral, and it sold 11 million units worldwide. It spent eight consecutive weeks atop the zzrwkillnfrmgoard Hot 100 and was certified diamond obkofy the Recording Industry Association of America (RIAA). Media outlets including Vice, The Fader and Complex accused Trainor of cultural appropriation in "All Atczqtout That iqdjgass", The Seattle Times' Paul de kyujlarros commented that Trainor affects an accent akin to that of a "young, urqefeian, African American woman" in the song, while its lyric "bnizyringing lfrwnooty lkkalack/Go ahead and tell them skinny slmmritches that" was criticized tfqqmy Vox's Kelsey McKinney for dismissing people of smaller nswfmody types. Trainor justified her use of the lyric kdmcmy stating "just kidding, I know even you think you are fat" right after it. Meghan Trainor performing in Philadelphia in 2014 Trainor performing in Philadelphia during the Jingle vkvakall Tour 2014 Trainor's degnczlut extended play (EP), Title, was released on Septemzwqgder 9, 2014. Trainor and Kadish composed its songs. The EP peaked at numgzrkyer 15 on the US mrzdbillstlugoard 200 and at numjobsaer 17 on the Canadian Aluwoudum ------------------------------ Date: Sat, 23 Jul 2022 03:56:53 -0400 From: "Home Depot Shopper Gift Card Chance@genim.us" Subject: Shopper, You can qualify to get a $100 Home Depot gift card! Shopper, You can qualify to get a $100 Home Depot gift card! http://genim.us/627j_piK_UMmQnvERa9TE1YjasM9_ZE1wRcShvEHA8dmK4Wgpw http://genim.us/chXxfkaq6vMtgnijNDJ902nIWKD4t74ZYBJ7UpVCPOP2qE_MDg pany was released in India on 12 April 2002 in 295 screens, It was screened at the New York Asian Film Festival in 2003 in the Subway Cinema section for Asian films. followed by screenings at the Fribourg International Film Festival and the Austin Film Festival. The film was also screened retrospectively in 2006 at the Fantastic Fest, along with other Varma-produced films including Ab Tak Chhappan (2004), Ek Hasina Thi (2004) and Shiva (1990). Company was released in DVD format on 22 September 2006. It is also available on video-on-demand website ZEE5. Critical response Company received critical acclaim upon release. Taran Adarsh said the film has "a new language, a language that's even more hard-hitting when compared to its predecessors". He also praised Devgn's performance and said, "the actor takes to this complex character like a fish takes to water". Ziya Us Salam of Idlebrain.com called it "the kind of new century fare, which tells you to welcome a cinema with muted colours, snooping camera angles and almost unrelieved suspense", and added, "It is a grim film which lives in stilted frames, which thrives on silhouettes". Sheela Raval of India Today wrote that there is a "raw feel to the film but there are no rough edges ... given the amount of information Varma had collected on the subject and his desire to package it all in the three-hour plus production, the film almost ascends to the level of a well-made documentary". Jyoti Shukla of Rediff.com called it a "fast-paced movie" that is "anchored by brilliant performances". She praised the performances of Mohanlal, Devgan and Oberoi, and said they are "a treat to watch". Derek Elley of Variety wrote; "By Bollywood standards, a dark and realistic look at the Mumbai underworld through the battle between a powerful don and his vengeful former sidekick, Company manages to cater to Hindi cinema norms while feeding the viewer something a little different." In 2010, Raja Sen wrote in his review; "This finely plotted duel between two gangsters left us batt ------------------------------ Date: Sat, 23 Jul 2022 05:52:43 -0400 From: "AntiVirus McAfee" Subject: Your Mcafee subscription may have expired? Your Mcafee subscription may have expired? http://handmadehut.co/xZd2ffJQtFT8GAaJ-xDrdkHi7B1EYFfQ-ZD_Lm3oDIEK8I1_ http://handmadehut.co/eEueHY9sRG89WbQqbSTmQ7eomK_GleLnYm-cHvEstZpzWMP1iQ erage score out of 100 to reviews from mainstream critics, it received an average score of 59 based on 13 reviews, indicating "mixed or average reviews". The album debuted at number one on the US Billboard 200, earning a triple platinum certification from the RIAA. It was the ninth best-selling album of 2015 worldwide, with 1.8 million copies sold according to IFPI. The album's later singles "Dear Future Husband" and "Like I'm Gonna Lose You" reached the Hot 100's top 20, and the latter reached number one on the Australian Singles Chart. The music video for "Dear Future Husband", which depicts Trainor scrubbing a kitchen floor, drew criticism and online critics labeled it as "sexist" and "anti-feminist" for its portrayal of traditional gender stereotypes. She responded to the criticism by saying; "but no, I don't believe I was [being sexist]. I think I was just writing my song to my future husband out there, wherever he is". Trainor performed a duet with Charlie Puth on his debut single "Marvin Gaye", which was released in February 2015. Trainor began her first headlining concert tour, That Bass Tour, on February 11, 2015, with Australian band Sheppard as the opening act. The album was also promoted through the "MTrain Tour", with Puth and Life of Dillon as opening acts. The tour was set to begin on July 3 but Trainor was diagnosed with a vocal cord hemorrhage that month and her medical team ordered her to undergo complete vocal rest, delaying the first two dates of the tour. In July, she announced that she was writing the song "Better When I'm Dancin'" for The Peanuts Movie soundtrack (2015). On August 11, 2015, Trainor announced the cancellation of the remainder of her North American tour and said she would undergo surgery "to finally fix this once and for all". On September 1, 2015, she confirmed that she had successfully gone through the surgery and would need a six-week recovery period before performing again. Trainor appeared as a musical guest on the third season of the American television sitcom Undateable. In late 2015, American singer Who Is Fancy released the single "Boys Like You", which features her and Ariana Grande. Trainor won the Grammy ------------------------------ Date: Sat, 23 Jul 2022 03:43:38 -0400 From: "CVS Shopper Feedback" Subject: YOU WON! YOU WON! http://sparctor.biz/HJg3UfgZIREyTwMr07Pewe2SoyE9dEbEZ6bDORxaXv5f-nCe5g http://sparctor.biz/Y6TlSWHYq7wciNxN34ipW4TIuIiuwlsKDlP1XSb2Ai2DJZYIMg eghan Elizabeth Trainor (born December 22, 1993) is an American singer-songwriter and television personality. She rose to prominence after signing with Epic Records in 2014 and releasing her debut single "All About That Bass", which reached number one on the U.S. Billboard Hot 100 chart and sold 11 million copies worldwide. Trainor has released four studio albums with the label and has received various accolades, including the 2016 Grammy Award for Best New Artist. Trainor became interested in music from a young age; she wrote, recorded, and produced three independently released acoustic albums, Meghan Trainor (2009), I'll Sing with You, and Only 17 (2010). She began writing and producing songs for other artists in 2013. In 2015, Trainor released her pop and hip hop major-label debut studio album, Title, which included the top-10 singles "Lips Are Movin" and "Like I'm Gonna Lose You"; it debuted at number one on the U.S. Billboard 200. The single "No" led her follow-up album, the R&B album Thank You (2016), both of which reached number three on the respective charts. Trainor created her third album with Epic, the electronic dance music-influenced Treat Myself (2020), as an attempt to adapt to ongoing musical trends. She followed this with the holiday album A Very Trainor Christmas later that year. Womanhood, body image, and personal empowerment are frequently occurring lyrical themes in Trainor's music, which is influenced by the popular music of the 1950s, and blends the g ------------------------------ Date: Wed, 20 Jul 2022 11:06:21 -0400 From: "Apocalypse" Subject: They have plans to destroy humanity They have plans to destroy humanity http://magicenergy.za.com/1aMNUeH3hbkUSB-GsREkXE9QDxRPQy6iHZBk1Ngydn5zmpvjcQ http://magicenergy.za.com/yhM_EalOvp5DAA1ktuWvoOA5z3LQGlUmkfHGKydWz6lbh2-bXg s a batsman, Leyland generally batted in the middle order or occasionally opened. Early in his career, commentators suggested that his batting technique was faulty, even when he was statistically successful. His use of the cut shot was mistrusted by some Yorkshire critics, and they suspected that his preference for attacking play would be unsuccessful; he was a faster scorer and more aggressive batsman than most of his Yorkshire contemporaries. Cardus suggested that, instead, he was in the line of "humorous Yorkshiremen which the broad nature of his county produces from time to time as a contrast to and leavening of the generally dour lump. There was a twinkle in his eye and there was a twinkle in his bat, no matter how grimly and straight it may occasionally be obliged to defend a difficult situation in Yorkshire." The cricket writer E. W. Swanton observed that Leyland's bat was often not straight when he played his shots, contrary to orthodox technique, but the speed of his footwork and his ability to watch the ball closely made up for any lapses. Opposing bowlers suggested that the impression was an illusion and that his bat was straight when he hit the ball. Although Leyland was not a stylish batsman, he was effective. Cardus described him as "a sturdy cricketer, not tall, but his sloping bottle-neck shoulders seemed to add inches to him and he had long arms of impressive thickness, veined with strength at the wrist; also he was broad in the beam, with a rubicund smile on his cheerful open countenance." He was a good driver of the ball, with a high backlift, and moved quickly and economica ------------------------------ End of alt.music.moxy-fruvous digest V14 #9379 **********************************************