From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #8527 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Monday, February 21 2022 Volume 14 : Number 8527 Today's Subjects: ----------------- Language barrier should no longer Be your concern anymore! ["Translator" ] ---------------------------------------------------------------------- Date: Mon, 21 Feb 2022 06:49:44 -0500 From: "Translator" Subject: Language barrier should no longer Be your concern anymore! Language barrier should no longer Be your concern anymore! http://herpathsy.us/s4MP5E5ELiyOEy-ZaWkiL5R2TnvB6njszO_YeiqZ3v0R3pk http://herpathsy.us/1sqSPRsu6_BPX1zeJPu8uKt73xD6QbUnRGjhoq6AqqyPbzc poses. The type of brush also makes a difference. For example, a "round" is a pointed brush used for detail work. "Flat" brushes are used to apply broad swaths of color. "Bright" is a flat brush with shorter brush hairs, used for "scrubbing in". "Filbert" is a flat brush with rounded corners. "Egbert" is a very long, and rare, filbert brush. The artist might also apply paint with a palette knife, which is a flat metal blade. A palette knife may also be used to remove paint from the canvas when necessary. A variety of unconventional tools, such as rags, sponges, and cotton swabs, may be used to apply or remove paint. Some artists even paint with their fingers. Tubes of paint Old masters usually applied paint in layers known as "glazes", a method also simply called "indirect painting". This method was first perfected through an adaptation of the egg tempera painting technique (egg yolks used as a binder, mixed with pigment), and was applied by the Early Netherlandish painters in Northern Europe with pigments usually ground in linseed oil. This approach has been called the "mixed technique" or "mixed method" in modern times. The first coat (the underpainting) is laid down, often painted with egg tempera or turpentine-thinned paint. This layer helps to "tone" the canvas and to cover the white of the gesso. Many artists use this layer to sketch out the composition. This first layer can be adjusted before proceeding further, an advantage over the "cartooning" method used in fresco technique. After this layer dries, the artist might then proceed by painting a "mosaic" of color swatches, working from darkest to lightest. The borders of the colors are blended together when the "mo ------------------------------ End of alt.music.moxy-fruvous digest V14 #8527 **********************************************