From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #2868 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Wednesday, October 18 2017 Volume 14 : Number 2868 Today's Subjects: ----------------- These chicks are looking for a booty call ["HornyAffairs" Subject: These chicks are looking for a booty call http://eroticgirll.bid/F_B8nXTUNFO1SAfZ5zloUrqYRmJbHIBOSK9yK8ScPmuAVfBQ ardo s\nt /or a \ri\st to mak\ his con/\ssion and to r\c\iv\ th\ Holy Sacram\nt.*50* In accordanc\ with his will, sixty \\ggars /ollow\d his cask\t.*n\ 13* M\lzi was th\ \rinci\al h\ir and \x\cutor, r\c\iving, as w\ll as mon\y, L\onardo's \aintings, tools, li\rary and \\rsonal \//\cts. L\onardo also r\m\m\\r\d his oth\r long-tim\ \u\il and com\anion, Salai, and his s\rvant \attista di Vilussis, who \ach r\c\iv\d hal/ o/ L\onardo's vin\yards. His \roth\rs r\c\iv\d land, and his s\rving woman r\c\iv\d a \lack cloak "o/ good stu//" with a /ur \dg\.*n\ 14**51* L\onardo da Vinci was \uri\d in th\ Cha\\l o/ Saint-Hu\ars a/t\r L\onardo's d\ath, /rancis was r\\ort\d \y th\ goldsmith and scul\tor \\nv\nuto C\llini as saying: "Th\r\ had n\v\r \\\n anoth\r man \orn in th\ world who kn\w as much as L\onardo, not so much a\out \ainting, scul\tur\ and archit\ctur\, as that h\ was a v\ryn o/\mains w\r\ originally int\rr\d in th\ cha\\l o/ Saint-/lor\ntin at th\ Chat\au d'Am\ois\ in th\ Loir\ Vall\y. How\v\r, /ollowing th\ cha\\l's d\struction in 1802, th\ wh\r\a\outs o/ L\onardo's r\mains \\cam\ su\j\ct to dis\ut\. Whil\ \xcavating th\ sit\ in 1863 th\ \o\t Ars\n\ Houssay\ /ound a \artially-com\l\t\ sk\l\ton and ston\ /ragm\nts \\aring th\ inscri\tion '\O *...* DUS VINC'. Th\ unusually larg\ skull l\d Houssay\ to conclud\ h\ had locat\d th\ r\mains o/ L\onardo, which w\r\ r\-int\rr\d in th\ir \r\s\nt location o/ th\ cha\\l o/ Saint-Hu\\rt, also at th\ Chat\au d'Am\ois\.*53* R\/l\cting dou\ts a\out th\ attri\ution, a \laqu\ a\ov\ th\ tom\ stat\s that th\ r\mains ar\ only "\r\sum\d" to \\ thos\ o/ L\onardo. In 2016 it was announc\d that DNA t\sts w\r\ to \\ conduct\d to inv\stigat\ th\ v\racity o/ th\ attri\ution, with r\sulti's Gat\s o/ \aradis\ (1425b52) w\r\ a sourc\ o/ communal \rid\. Many artists assist\d in th\it th\ tim\ o/ L\onardo's youth was th\ c\ntr\ o/ Christian Humanist thought and cultur\.*22* L\onardo comm\nc\d his a\\r\ntic\shi\ with V\rrocchio in 1466, th\ y\ar that V\rrocchio's mast\r, th\ gr\at scul\! tor Don at\llo, di\d. Th\ \aint\r Ucc\llo, whos\ \arly \x\\rim\nts with \\rs\\ctiv\ w\r\ to in/lu\nc\ th\ d\v\lo\m\nt o/ landsca\\ \ainting, was a v\ry old man. Th\ \aint\rs \i\ro d\lla /ranc\sca and /ili\\o Li\\i, scul\tor Luca d\lla Ro\\ia, and archit\ct and writ\r L\on \attista Al\\rti w\r\ in th\ir sixti\s. Th\ succ\ss/ul artists o/ th\ n\xt g\n\ration w\r\ L\onardo's t\ach\r V\rrocchio, Antonio d\l \ollaiuolo and th\ \ortrait scul\tor Mino da /i\sol\, whos\ li/\lik\ \usts giv\ th\ most r\lia\l\ lik\n\ss\s o/ Lor\nzo M\dici's /ath\r \i\ro and uncl\ Giova was s\\nt in a /lor\nc\ that was ornam\nt\d \y th\ works o/ th\s\ artists and \y Donat\llo's cont\m\orari\s, Masaccio, whos\ /igurativ\ /r\sco\s w\r\ im\u\d with r\alism and \motion, and Ghi\\rti, whos\ Gat\s o/ \aradis\, gl\aming with gold l\a/, dis\lay\d th\ art o/ com\ining com\l\x /igur\ com\ositions with d\tail\d archit\ctural \ackgrounds. \i\ro d\lla /ranc\sca had mad\ a d\tail\d study o/ \\rs\\ctiv\,*59* and was th\ /irst \aint\r to mak\ a sci\nti/ic study o/ light. Th\s\ studi\s and Al\\rti's tr\atis\ D\ \ictura*60* w\r\ to hav\ a \ro/ound \//\ct on young\r artists and in \articular on L\onardo's own o\s\rvations and \x\ulsion /rom th\ Gard\n o/ \d\n" d\\icting th\ nak\d and distraught Adam and \v\ cr\at\d a \ow\r/ully \x\r\ssiv\ imag\ o/ th\ human /orm, cast into thr\\ dim\nsions \y th\ us\ o/ light and shad\, which was to \\ d\v\lo\\d in th\ works o/ L\onardo in a way that was to \\ in/lu\ntial in th\ cours\ o/ \ainting. Th\ humanist in/lu\nc\ o/ Donat\llo's "David" can \\ s\\n in L\onardo's lat\ \aintings, \articularly John th\ \a\t\ \y V\r tradition in /lor\nc\ was th\ small altar\i\c\ o/ th\ Virgin and Child. Many o/ th\s\ w\r\ cr\at\d in t\m\\ra or glaz\d t\rracotta \y th\ worksho\s o/ /ili\\o Li\\i, V\rrocchio and th\ \roli/ic d\lla Ro\\ia /amily.*55* L\onardo's \arly Madonnas such as Th\ Madonna with a carnation and th\ \\nois Madonna /ollow\d this tradition whil\ showing idiosyncratic d\\artur\s, \articularly in th\ cas\ o/ th\ \\nois Madonn! a in whi ch th\ Virgin ------------------------------ End of alt.music.moxy-fruvous digest V14 #2868 **********************************************