From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #10866 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Wednesday, March 8 2023 Volume 14 : Number 10866 Today's Subjects: ----------------- Insurance Covers 8 at home Covid-19 Tests ["All Family Pharmacy@americana] Slides into your wall and powers all lights and appliances (Microsoft) ["] Your gut has 17lbs of rotting food bloat ... ["Fight Constipation" Subject: Insurance Covers 8 at home Covid-19 Tests Insurance Covers 8 at home Covid-19 Tests http://americanairlinesurvey.live/7affVDJh-DDIi3cJlVWjrnpy1Sb7aunT3TTeSoNs2g9Gqvsj http://americanairlinesurvey.live/Jvsb5GKF1Wi3ypMXKIDnxS8y1XEbxcRKwqwhMCyTyMx_MUBNvQ n 1788 Vedel, along with other choristers, was sent by Samuel Myslavsky , the Metropolitan of Kyiv and Halych, and the rector of Kyiv-Mohyla Academy, to Moscow. There he served as the assistant choir master and a violinist for Pyotr Dmitrievich Yeropkin , the Governor-General of Moscow, and, after 1790, by his successor, Alexander Prozorovsky. The choir was at the time an artistically important part of the Imperial Court in Moscow. Vedel's talent was recognised by other musicians in Moscow. He probably continued his musical studies at the university. During this period, he had the opportunity to become more familiar with Russian and Western European musical cultures. He did not stay in Moscow for long and, resigning his position, he returned home to Kyiv in the early 1790s. Patronage under Andrei Levanidov 19th century drawing of the Kharkiv Collegium The Kharkiv Collegium as it looked during the first part of the 19th century In Kyiv, Vedel returned to leading the Kyiv-Mohyla Academy choir. Among the famous choirs in the city at that time was one belonging to General Andrei Levanidov at the Kyiv headquarters of the Ukrainian infantry regiment. From early 1794, Levanidov acquired Vedel's services to lead the regimental chapel and the children's choir. Levanidov, who valued and respected Vedel as a composer and a musician, was able to act as ------------------------------ Date: Sun, 5 Mar 2023 08:33:23 +0100 From: "Backyard Revolution" Subject: Slides into your wall and powers all lights and appliances (Microsoft) Slides into your wall and powers all lights and appliances (Microsoft) http://lostsuperfoods.rest/ock2qn2KqJmu7dTAT5RKQpqvpwOkqDOdErOoNj5NPNFDak9jxg http://lostsuperfoods.rest/v3zrZakxpG0C11VcXvLEZK2ZTPpFP-iwiwQ_lvW6R9ajGQReBA text for movement 1, and wrote a sequence of aria, recitative and aria for the following movements. His poetic text places the Christian in general, including the listener at Bach's time or any time, in the situation of the disciples: he is pictured as wanting to follow Jesus even in suffering, although he does not comprehend. The poetry ends on a prayer for "denial of the flesh". The closing chorale is stanza 5 of Elisabeth Cruciger's "Herr Christ, der einig Gotts Sohn", intensifying the prayer, on a melody from the Lochamer-Liederbuch. Stylistic comparisons with other works by Bach suggest that the same poet wrote the texts for both audition cantatas and also for the two first cantatas which Bach performed when taking up his office. The poetry for the second aria has an unusually long first section, which Bach handled elegantly by repeating only part of it in the da capo. Structure and scoring Bach structured the cantata in five movements, and scored it for three vocal soloists (an alto (A), tenor (T) and bass (B)), a four-part choir (SATB), and for a Baroque orchestra of an oboe (Ob), two violins (Vl), viola (Va) and basso continuo. The duration is given as c.?20 minutes. In the following table of movements, the scoring, divided in voices, winds and strings, follows the Neue Bach-Ausgabe. The continuo group is not listed, because it plays throughout. The keys and time signatures are taken from Alfred DC Subject: Your gut has 17lbs of rotting food bloat ... Your gut has 17lbs of rotting food bloat ... http://costco-survy.shop/s6z-xUSd4KKB87mi8dt9vUI6QO-Hyw6Oo8nqtfmc_3BkGijebw http://costco-survy.shop/Xc9K0quIdB13BLhV3hSVnGCscM_tsU6JwoDAFM7o4grDI375TQ hrough the mid-1980s, Lutos?awski composed three pieces called ?a?cuch ("Chain"), which refers to the way the music is constructed from contrasting strands which overlap like the links of a chain. Chain 2 was written for Anne-Sophie Mutter (commissioned by Sacher), and for Mutter he also orchestrated his slightly earlier Partita for violin and piano, providing a new linking Interlude, so that when played together the Partita, Interlude and Chain 2 form his longest work. The Third Symphony earned Lutos?awski the first Grawemeyer Prize from the University of Louisville, Kentucky, awarded in 1985. The significance of the prize lay not just in its prestige but in the size of its financial award (then US$150,000). The intention of the award is to remove recipients' financial concerns for a period to allow them to concentrate on serious composition. In a gesture of altruism, Lutos?awski announced that he would use the fund to set up a scholarship to enable young Polish composers to study abroad; Lutos?awski also directed that his fee from the San Francisco Symphony Orchestra for Chain 3 should go to this scholarship fund. In 1986 Lutos?awski was presente ------------------------------ End of alt.music.moxy-fruvous digest V14 #10866 ***********************************************