From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #10782 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Saturday, February 25 2023 Volume 14 : Number 10782 Today's Subjects: ----------------- 1B Mega Millions Announcement ...(Urgent) ["Lottery Secrets" Subject: 1B Mega Millions Announcement ...(Urgent) 1B Mega Millions Announcement ...(Urgent) http://maasalongevity.email/q-GENfEvQmMrtCx_aNvrw-Q3xI1hWVWaBlgTHcN0etya99H_6w http://maasalongevity.email/LOzqxnmPE6cWCJJkp8ZiMxzX8SEPYLjNs_UV7uutwz1J8f6JAA nd monody was replaced by polyphony. The new polychoral culture became known as the partesnyy ("singing in parts") style. During the 19th century, Znamenny chants were gradually superseded by newer ones, such as the Kyiv chant, which in their turn, were replaced by music that was closer to recitative. Most Znamenny melodies gradually become lost or forgotten. In the early 19th century, music in West-European was making the transition from classical to predominantly Romantic, having earlier shifted away from the Baroque style. The tradition of Russian church music can be traced back to Dmitry Bortniansky, who revered the Russian liturgical musical tradition. The early part of the 19th century was a period which marked a low ebb in the fortunes of traditional Russian music. Bortniansky studied in Venice before eventually becoming the director of music at the court chapel in St Petersburg in 1801. Composing in an era when attempts were being made to suppress the Russian Empire's cultural heritage, Bortniansky's choral concertos, set to texts in Russian, were modelled on counterpoint, the concerto grosso and Italian instrumental music. Under him, the Imperial Court Chapel expanded its role so it influenced, and eventually controlled, church choral singing throughout the Russian Empire. Vedel followed Bortniansky in combining the Italian Baroque style to ancient Russian hymnody, at a time when classical influences were being introduced into Ukrainian choral music, such as four-voice polyphony, the solo ------------------------------ End of alt.music.moxy-fruvous digest V14 #10782 ***********************************************