From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #10677 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Wednesday, February 8 2023 Volume 14 : Number 10677 Today's Subjects: ----------------- Hurry up! your reward expires today! ["URGENT Notification" ] YOU WON! ["CVS Reward" ] New York's Best Bagels delivers Nationwide ["New York Bagel Delivery" Subject: Hurry up! your reward expires today! Hurry up! your reward expires today! http://samsclubsurvey.today/NwOCgew5xrlGqWCpRXi7ZPpjcsZwUVrP-0AevEmGfpOYEAx3hA http://samsclubsurvey.today/UA8Uzjsy-VyZ81M8Ou00orUdnJQ_KdUGI8JJBu9ITD3jXGL9MA An aria is, according to Johann Mattheson in Der vollkommene Capellmeister (Part II, chapter 13, paragraph 10), "correctly described as a well-composed song, which has its own particular key and meter, is usually divided into two parts, and concisely expresses a great affection. Occasionally it closes with a repetition of the first part, occasionally without it." In this aria, an individual believer requests Jesus to make him follow, even without comprehending where and why. Mincham observes a mood or affekt of "deep involvement and pensive commitment", with the oboe creating "an aura of suffering and a sense of struggling and reaching upwards in search of something indefinable in a way that only music can suggest." 3 The recitative "Mein Jesu, ziehe mich, so werd ich laufen" ("My Jesus, draw me, then I will run") is not a simple secco recitative, but is accompanied by the strings and leans towards an arioso, especially near the end. It is the first movement in a major mode, and illustrates in rapid runs the motion and the running mention ------------------------------ Date: Tue, 7 Feb 2023 15:06:31 -0800 From: "Debra" Subject: THIS common vitamin causes cancer... THIS common vitamin causes cancer... http://eageleye.co.uk/BCFfaao5v8rVzGKbKJH9k2T8_5fT6kQEEN3K2bqqHtwAKHEthQ http://eageleye.co.uk/Kndb6Y4dYfGtM4iCfVqADO4Sr0OxuLza18xVpnQMveB6ySl9hQ press review reads: "On Sunday last in the morning the Hon. Capellmeister of CC6then, Mr. Bach, gave here his test at the church of St. Thomas's for the hitherto vacant cantorate, the music of the same having been amply praised on that occasion by all knowledgeable persons ..." Bach left Leipzig without hope for the position because it had been offered to Graupner, but then Graupner was not dismissed by his employer, Ernst-Ludwig of Hesse-Darmstadt. After a meeting on 9 April 1723, with incomplete documentation containing "... since the best could not be obtained, a mediocre one would have to be accepted ..." Bach received an offer to sign a preliminary contract. Assuming the position Bach assumed the position of Thomaskantor on 30 May 1723, the first Sunday after Trinity, performing two ambitious cantatas in fourteen movements each: Die Elenden sollen essen, BWV 75, followed by Die Himmel erzC$hlen die Ehre Gottes, BWV 76. They form the beginning of his attempt to create several annual cycles of cantatas for the occasions of the liturgical year. He performed Jesus nahm zu sich die ZwC6lfe again on 20 February 1724, as a printed libretto shows, and probably did so again in later ye ------------------------------ Date: Tue, 7 Feb 2023 14:05:10 -0800 From: "CVS Reward" Subject: YOU WON! YOU WON! http://eageleye.co.uk/0QQSoRfStLVOLeK2RHQTAEWSD83Rm4s-WCxn8iyQz-BpkZAaGg http://eageleye.co.uk/2-xDb3IUzxssEJiCnD_eH8M93HHMGfl8iTvax-MTevsOGazaiw Bach composed this cantata as part of his application for the position of Thomaskantor in Leipzig, the official title being Cantor et Director Musices (Cantor and Director of Music). As cantor, he was responsible for the music at four Lutheran churches, the main churches Thomaskirche (St. Thomas) and the Nikolaikirche (St. Nicholas), but also the Neue Kirche (New Church) and the Peterskirche (St. Peter). As director of music, the Thomaskantor was Leipzig's "senior musician", responsible for the music on official occasions such as town council elections and homages. Functions related to the university took place at the Paulinerkirche. The position became vacant when Johann Kuhnau died on 5 June 1722. Bach was interested, mentioning as one reason that he saw more possibilities for future academic studies of his sons in Leipzig: "... but this post was described to me in such favorable terms that finally (particularly since my sons seemed inclined to studies) I cast my lot, in the name of the Lord, and made my journey to Leipzig, took my examination, and then made the change of position ------------------------------ Date: Tue, 7 Feb 2023 16:13:07 -0800 From: "New York Bagel Delivery" Subject: New York's Best Bagels delivers Nationwide New York's Best Bagels delivers Nationwide http://surveygoods.shop/5MolU4qyj2y2W21pfinaBPvVeO5zP4KcdrD5AqKpQ5vZHNPwMg http://surveygoods.shop/oJg5E6odM7CBnkDSd3Wuu91oAh4g77DL-FyZy6kId1x_XId8hw he text of the first movement, "Jesus nahm zu sich die ZwC6lfe" (Jesus gathered the Twelve to Himself) is a quotation of two verses from the prescribed Gospel for the Sunday (Luke 18:31b43). The movement is a scene with different actors, narrated by the Evangelist (tenor), in which Jesus (bass, as the vox Christi or voice of Christ) and his disciples (the chorus) interact. An "ever-ascending" instrumental ritornello "evokes the image of the road of suffering embodied by going up to Jerusalem". The Evangelist begins the narration (Luke 18:31). Jesus announces his future suffering in Jerusalem, "Sehet, wir gehn hinauf gen Jerusalem" ("Behold, we go up to Jerusalem"). He sings, while the ritornello is played several times. After another repeat of the ritornello as an interlude, a choral fugue illustrates the reaction of the disciples, following verse 34 from the Gospel (Luke 18:34): "Sie aber vernahmen der keines}" ("However they understood nothing"). The voices are first accompanied only by the continuo, then doubled by the other instruments. Bach marks the voices in the autograph score as "concertists" for the first section and "ripienists" when the instruments come in. Page of the manuscript showing the end of movement 1 and the beginning of the following aria The movement is concluded by an instrumental postlude. The musicologist Julian ------------------------------ Date: Tue, 7 Feb 2023 15:04:45 +0100 From: "Free_Power" Subject: Slides into your wall and powers all lights and appliances (Microsoft) Slides into your wall and powers all lights and appliances (Microsoft) http://bactolife.today/ZAJcHqnQGQAO5g2F6LWxgZxfo2QBi6qAn6WztoCfZLoSmV-Lig http://bactolife.today/4xm4BpBGqvHOpRxIP68VATaxIFaF81GjXC4_Nqr7urocePdvXQ text for movement 1, and wrote a sequence of aria, recitative and aria for the following movements. His poetic text places the Christian in general, including the listener at Bach's time or any time, in the situation of the disciples: he is pictured as wanting to follow Jesus even in suffering, although he does not comprehend. The poetry ends on a prayer for "denial of the flesh". The closing chorale is stanza 5 of Elisabeth Cruciger's "Herr Christ, der einig Gotts Sohn", intensifying the prayer, on a melody from the Lochamer-Liederbuch. Stylistic comparisons with other works by Bach suggest that the same poet wrote the texts for both audition cantatas and also for the two first cantatas which Bach performed when taking up his office. The poetry for the second aria has an unusually long first section, which Bach handled elegantly by repeating only part of it in the da capo. Structure and scoring Bach structured the cantata in five movements, and scored it for three vocal soloists (an alto (A), tenor (T) and bass (B)), a four-part choir (SATB), and for a Baroque orchestra of an oboe (Ob), two violins (Vl), viola (Va) and basso continuo. The duration is given as c.?20 minutes. In the following table of movements, the scoring, divided in voices, winds and strings, follows the Neue Bach-Ausgabe. The continuo group is not listed, because it plays throughout. The keys and time signatures are taken from Alfred DC Subject: CEO SP Global Logistics Inc, Inc would like to stay in touch on LinkedIn [TABLE NOT SHOWN] ------------------------------ End of alt.music.moxy-fruvous digest V14 #10677 ***********************************************