From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #10676 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Tuesday, February 7 2023 Volume 14 : Number 10676 Today's Subjects: ----------------- You're Invited: To Redeem Your Reward ["Ace Hardware Shopper Gift Card Ch] Your cart is still waiting for you ["Memory Foam" Subject: You're Invited: To Redeem Your Reward You're Invited: To Redeem Your Reward http://backcorrecters.co.uk/p8tw1DRxRqMEk65M8J6sRCn7A8QjU1S1ggMxNhn0C2EYd10POg http://backcorrecters.co.uk/Bu3fKDcQJ5p4fs-IjJvRpozrSNaE7jesP6kvt1aEKDSpmlzsbg esus nahm zu sich die ZwC6lfe (English: Jesus gathered the twelve to Himself), BWV 22, is a church cantata by Johann Sebastian Bach composed for Quinquagesima, the last Sunday before Lent. Bach composed it as an audition piece for the position of Thomaskantor in Leipzig and first performed it there on 7 February 1723. The work, which is in five movements, begins with a scene from the Gospel reading in which Jesus predicts his suffering in Jerusalem. The unknown poet of the cantata text took the scene as a starting point for a sequence of aria, recitative, and aria, in which the contemporary Christian takes the place of the disciples, who do not understand what Jesus is telling them about the events soon to unfold, but follow him nevertheless. The closing chorale is a stanza from Elisabeth Cruciger's hymn "Herr Christ, der einig Gotts Sohn". The music is scored for three vocal soloists, a four-part choir, oboe, strings and continuo. The work shows that Bach had mastered the composition of a dramatic scene, an expressive aria with obbligato oboe, a recitative with strings, an exuberant dance, and a chorale in the style of his pre ------------------------------ Date: Tue, 7 Feb 2023 14:02:44 +0100 From: "Memory Foam" Subject: Your cart is still waiting for you Your cart is still waiting for you http://amazonsurvey.today/WihlrYK2fsnLOPzyw3jcCfmWm0zNhmCwRrek2rRV_wFMyNE6tA http://amazonsurvey.today/nkGU4o7P7fXZjvtVkT9GDYePd6X__PuCjHvyEk9e0-Ff-wiUow the rest taken prisoner. ach composed his cantata in 1723 for the Sunday Estomihi (Quinquagesima), the last Sunday before Lent. In Leipzig, tempus clausum was observed during Lent, therefore it was the last Sunday with a cantata performance before a celebration of the Annunciation, Palm Sunday and the vespers service on Good Friday and Easter. The prescribed readings for the Sunday were taken from the First Epistle to the Corinthians, "praise of love" (1 Corinthians 13:1b13), and from the Gospel of Luke, healing the blind near Jericho (Luke 18:31b43). The Gospel also contains the announcement by Jesus of his future suffering in Jerusalem, and that the disciples do not understand what he is saying. The cantata text is the usual combination of Bible quotation, free contemporary poetry and as closing chorale a stanza from a hymn as an affirmation. An unknown poet chose from the Gospel verses 31 and 34 as the text for movement 1, and wrote a sequence of aria, recitative and aria for the following movements. His poetic text places the Christian in general, including the listener at Bach's time or any time, in the situation of the disciples: he is pictured as wanting to follow Jesus even in suffering, although he does not comprehend. The poetry ends on a prayer for "denial of the flesh". The closing chorale is stanza 5 of Elisabeth Cruciger's "Herr Christ, der einig Gotts Sohn", intensifying the prayer, on a melody from the Lochamer-Liederbuch. Stylistic com ------------------------------ Date: Tue, 7 Feb 2023 12:35:13 +0100 From: "REGISTRAR" Subject: Your chance to receive a FREE Dyson Vacuum Your chance to receive a FREE Dyson Vacuum http://keragenies.best/vr91Ar2ClE2AgfbociIZHXq0ElUBrHqFEqfjm5_vLESxWCGE1A http://keragenies.best/jjNQ9esxTsYKvh1UrKOGWU95J96fRS6hkO4h9mHSkdptBpBDlg On July 8, 1976, the National Aeronautics and Space Administration (NASA) issued a call for applications for pilot and mission specialist candidates. It was the first time that women were encouraged to apply. A colleague, Russ Greer, a neurosurgery resident who had worked at NASA and was aware that Seddon had expressed an interest in becoming an astronaut, informed Seddon of the selection process that was underway, and she decided to apply. She wrote to NASA and was sent an application form. She found that at 62 inches (157 cm) in height, she was just tall enough to meet the minimum height requirement of 60 inches (152 cm) for mission specialists. The application required three references, and she chose three people who had most strongly influenced her to that point: James Pate, the head of surgery at the hospital; Jose Guma, her flying instructor; and Jim Arnhart, the administrator of Rutherford Hospital. From 8,079 applicants, NASA identified 208 for further screening, which was conducted in groups of about twenty. Seddon was contacted by Jay F. Honeycutt from NASA and was asked to come to the Johnson Space Center (JSC) for a week of interviews and physical examinations, beginning August 29, 1977. Her group of twenty applicants was the first one that included women. Among the eight women in the group were Anna Sims, Shannon Lucid, Nitza Cintron and Millie Hughes-Wiley. Afterwards, she returned to the Memphis Veterans Administration Hospital, where she commenced a residency in plastic surgery. She soon changed course again after she developed a particular interest in the nutrition of surgery patients. In January 1978 journalist Jules Bergman asked if he could interview her on Good Morning America, and he revealed that she had been selected for astronaut training; Seddon re ------------------------------ Date: Tue, 7 Feb 2023 13:26:51 -0800 From: "Walmart ShipmentLast Minute Giveaway" Subject: Milwaukee Tool Chest - Your order has shipped! Milwaukee Tool Chest - Your order has shipped! http://backcorrecters.co.uk/pt7JW5Qyq50qItCkZzsGX_NpyBWiUUer3FizhIOvfXHjzTcb2g http://backcorrecters.co.uk/yctxOmWjfG4IDdEV9hzLQq8qaRsStDhgFC_K6-ShPVNUkhlMpw une 1708 at the court of the co-reigning dukes in Saxe-Weimar, Wilhelm Ernst and his nephew Ernst August. He initially concentrated on the organ, composing major works for the instrument, including the OrgelbC Subject: Leave your feedback and you could WIN! Leave your feedback and you could WIN! http://keragenies.best/ktfZrAcXCTNg58tQp3VFKPmXXm22TCPi1GeoBZZhDg65f4xf6Q http://keragenies.best/R4D2BsaC2n5hlb7Y31En7C1AO5qwpelMiBqIa4dJfNm8vdBspA s far as we know, the earliest cantatas of Johann Sebastian Bach were performed in MC Subject: Itās here! The most anticipated guide of 2023 Itbs here! The most anticipated guide of 2023 http://visisharp.best/V0HY-xnTuDH9a0jiLuGv8mw5MhpOBPj-qGWEQu75W_ytcMLM3A http://visisharp.best/KAtei21uDmLs5-acohk_ZYu5XFQyeOKJYDU1Sh-eN6Kvm5tY5Q owever, the common understanding of a "live album" is one that was recorded at a concert with a public audience, even when the recording is overdubbed or multi-tracked. Concert or stage performances are recorded using remote recording techniques. Albums may be recorded at a single concert, or combine recordings made at multiple concerts. They may include applause, laughter and other noise from the audience, monologues by the performers between pieces, improvisation, and so on. They may use multitrack recording direct from the stage sound system (rather than microphones placed among the audience), and can employ additional manipulation and effects during post-production to enhance the quality of the recording. Notable early live albums include the double album of Benny Goodman, The Famous 1938 Carnegie Hall Jazz Concert, released in 1950. Live double albums later became popular during the 1970s. Appraising the concept in Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau said most "are profit-taking recaps marred by sound and format inappropriate to phonographic reproduction (you can't put sights, smells, or fellowship on audio tape). But for Joe Cocker and Bette Midler and Bob-Dylan-in-the-arena, the form makes a compelling kind of sense." Eric Clapton's Unplugged (1992), over 26 mi ------------------------------ End of alt.music.moxy-fruvous digest V14 #10676 ***********************************************