From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #10490 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Tuesday, January 10 2023 Volume 14 : Number 10490 Today's Subjects: ----------------- Your Norton Subscription Has Expired Activate Now ["Internet Security" Subject: Your Norton Subscription Has Expired Activate Now Your Norton Subscription Has Expired Activate Now http://sams-club.rest/F7FU3eEKDmSWsTgOQ-04dJr_gCzSaR_WuL9J-_iasd2V7r-HBg http://sams-club.rest/Oe2OGsKrU4FF6dWCRgnST1Kbb2QFxQjGLxAz045IyANnfAU y the start of the 1570s, Parsley was being paid B#12 a year, and the five other men in the cathedral choir were paid either B#10 or B#8, equivalent to the pay given to an unskilled construction worker. A decade later, the cathedral choirmaster, responsible for both the men's and boys' choirs, was being paid B#12. The composer Thomas Morley, master of the choirboys from 1583, had a salary not much more than those of the singing men. In 1578, Elizabeth I and her court came to Norwich as part of a royal progress, and the city was expected to provide accommodation, banquets and entertainment. Then the second city in England after London, Norwich was one of the few cities in the kingdom with such sufficient numbers of skilled musicians, but even so it had to resort to using viol, trumpet and cornet players from Elizabeth's entourage. Elizabeth, in the company of her courtiers, the most prominent of Norwich's citizens, and the clergy of the cathedral, heard a Te Deum by Parsley sung during the first evening of her visit, with the choir being supported by the city's waits ------------------------------ End of alt.music.moxy-fruvous digest V14 #10490 ***********************************************