From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #10092 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Friday, November 11 2022 Volume 14 : Number 10092 Today's Subjects: ----------------- Volunteers needed for COVID-19 Vaccine Survey ["Covid Survey" Subject: Volunteers needed for COVID-19 Vaccine Survey Volunteers needed for COVID-19 Vaccine Survey http://papajohns.rest/_CHCKPMEMvFiNKgG8AB5XeOvkACqSpu8vR0Rh91x5mof8ldm_g http://papajohns.rest/KkQZGgP6iwoh30ddLGcGB2zbCrgseYsuKdfvy0Kp95fXItU1Aw ely that one or both men discussed the idea with Lutyens. Lloyd George summoned Lutyens and asked him to design a "catafalque" as the centre point for the parade. Lloyd George emphasised that the structure was to be non-denominational. Lutyens met with Sir Frank Baines, chief architect at the Office of Works, the same day to sketch his idea for the Cenotaph and sketched it again for his friend Lady Sackville over dinner that night. Both sketches show the Cenotaph almost as-built. At the end of the war, there was considerable social upheaval and civil unrest in Britain and Ireland, and industrial relations were tense. The government, fearful that revolutionary ideologies such as Bolshevism might start to take hold, hoped the parade and a central saluting point would unite the nation in celebrating the victorious conclusion to the war and commemorating the sacrifice of the dead. Although Lutyens apparently produced the design very quickly, he had had the concept in mind for some time, as evidenced by his design for Southampton Cenotaph a ------------------------------ End of alt.music.moxy-fruvous digest V14 #10092 ***********************************************