From: owner-ammf-digest@smoe.org (alt.music.moxy-fruvous digest) To: ammf-digest@smoe.org Subject: alt.music.moxy-fruvous digest V14 #10058 Reply-To: ammf@fruvous.com Sender: owner-ammf-digest@smoe.org Errors-To: owner-ammf-digest@smoe.org Precedence: bulk alt.music.moxy-fruvous digest Friday, November 4 2022 Volume 14 : Number 10058 Today's Subjects: ----------------- Growing new hair... ["Regrow Hair" Subject: Growing new hair... Growing new hair... http://powerkineticemial.co.uk/k189MKRPulJ0qS4iMaPTgPJg7sZH3n8RXPm-B9vjMuFOL9ZY http://powerkineticemial.co.uk/3pcVGbqZ2B_r09L9vlTD1bp3wEIQ3GBoZrffJkxpDdbBX5Ov inna's poetry is almost entirely concerned with myth. According to a story recounted by Plutarch in On the Glory of the Athenians, she considered myth the proper subject for poetry, rebuking Pindar for not paying sufficient attention to it. Pindar was said to have responded to this criticism by filling his next ode with mythical allusions, leading Corinna to advise him, "Sow with the hand, not with the sack." Corinna's poetry concentrates on local legends, with poems about Orion, Oedipus, and the Seven against Thebes. Her "Orestes" is possibly an exception to her focus on Boeotian legends. Her poetry often reworks mythological tradition b according to Derek Collins, "the most distinctive feature of Corinna's poetry is her mythological innovation" b frequently including details which are otherwise unknown. These reworkings often present gods and heroes in a more positive light than in more common versions of the myths. Two of Corinna's most substantial fragments, the "Daughters of Asopus" and "Terpsichore" poems, demonstrate a strong interest in genealogy. This genealogical focus is reminiscent of the works of Hesiod, especially the Catalogue of Women, though other lost genealogical poetry is known from the archaic period b for instance by Asius of Samos and Eumelus of Corinth. The third major surviving fragment of Corinna's poetry, on the contest between Mount Cithaeron and Mount Helicon, seems also to have been influenced by Hesiod, who also wrote an account of this myth. Marilyn B. Skinner argues that Corinna's poetry is part of the tradition of "women's poetry ------------------------------ Date: Wed, 2 Nov 2022 11:51:38 +0100 From: "Customer Survey" Subject: You're Invited: To Redeem Your Reward You're Invited: To Redeem Your Reward http://acehardelta.co.uk/2oh3mrptie2n3ZFbb6w9Dg7foBMqboGjhaGcsdBU0h_RFdlfiQ http://acehardelta.co.uk/mOApn--rIefCfK8-kFZxJ9QHZpt4r2zeVZsSXwVgUxRepS_O0Q rst scholars to question this was Edgar Lobel, who in 1930 concluded that there is no reason to believe she predated the orthography used on the Berlin papyrus, on which fragments of two of her poems are preserved. The debate over Corinna's date has dominated scholarship since, and the evidence remains inconclusive. Sceptics of the traditional chronology argue that there is no ancient mention of Corinna before the first century BC, and that the orthography of her surviving poetry was not established until after the mid-fourth century. This is the most common view, with Martin Litchfield West and David A. Campbell among those who believe a late date for Corinna. Campbell concludes that a third-century date is "almost certain". The alternative view, accepting the traditional fifth-century date, is set forth by scholars such as Archibald Allen and Jiri Frel. If the traditional date is correct, the lack of ancient reference to Corinna before the first century, and the later orthography, could both be explained by her being of only local interest before the Hellenistic period. According to this theory, when she was rediscovered and popularised in the Hellenistic period her poetry would have been re-spelled into contemporary Boeotian orthography, as her original fifth-century orthography was too unfamiliar to a third-century audience. An apparent terminus ante quem is established by the second-century AD theologian Tatian, who says in his Add ------------------------------ End of alt.music.moxy-fruvous digest V14 #10058 ***********************************************