From: owner-alloy-digest@smoe.org (alloy-digest) To: alloy-digest@smoe.org Subject: alloy-digest V6 #112 Reply-To: alloy@smoe.org Sender: owner-alloy-digest@smoe.org Errors-To: owner-alloy-digest@smoe.org Precedence: bulk X-To-Unsubscribe: Send mail to "alloy-digest-request@smoe.org" X-To-Unsubscribe: with "unsubscribe" as the body. alloy-digest Friday, May 4 2001 Volume 06 : Number 112 Today's Subjects: ----------------- Re: Alloy: WOTF Interpretation [Brian Clayton <stemish@lns.com>] Alloy: Sale of the century / Wreck of the Fairchild [jonathan.chiddick@no] Alloy: Cloudburst [jonathan.chiddick@nokia.com] Alloy: One more bio to add [Elaine Linstruth <elaine@qnet.com>] Re: Alloy: One more bio to add [Robin Thurlow <rthurlow@binghamton.edu>] Re: Alloy: One more bio to add [Slarvibarglhee <slarvibarglhee@alloy99.fr] Re: Alloy: Sale of the century / Wreck of the Fairchild [Slarvibarglhee <] Alloy: a link from Thomas ["Robin" <rthurlow@worldshare.net>] Re: Alloy: One more bio to add ["Robin" <rthurlow@worldshare.net>] Re: Alloy: Sale of the century / Wreck of the Fairchild ["Robin" <rthurlo] ---------------------------------------------------------------------- Date: Wed, 2 May 2001 22:36:22 -0700 (PDT) From: Brian Clayton <stemish@lns.com> Subject: Re: Alloy: WOTF Interpretation On Wed, 2 May 2001 Spencer2424@aol.com wrote: > Just for the fun of the discussion, I've always liked to think of "Wreck of > the Fairchild" as the missing "prequel" to "Airwaves." The end of the > "Wreck" has that same radio noise sound that serves as an intro to > "Airwaves." In fact, you can almost mix them right into each other at that > point. Er, they *are* mixed together that way on the original British "Wireless." Side Two starts with "Fairchild," then segues into "Airwaves" (the full version), and then into "Radio Silence." The three songs definitely form a trilogy of sorts. BC ------------------------------ Date: Thu, 3 May 2001 14:34:46 +0300 From: jonathan.chiddick@nokia.com Subject: Alloy: Sale of the century / Wreck of the Fairchild Hi all, Robin wrote: > Wreck of the Fairchild is one I like to play a lot. The one line of > lyrics on the recording (though it seems to be sung differently than the > original conception which is in a handwritten note in Thomas' FES > Gallery) is quite chilling. The elements within the music > could not be more beautifully arranged. I really love this piece. And now from Norwich: it's the quiz of the week! [cue cheesy theme song] Norwich is my home town (city actually) and the above isn't going to mean anything to anyone who was there at the time. It seems to me that much of Thomas's early work is located (logically and physically) on the East coast of England; especially the county of Suffolk. - - a place I know like the inside of my pocket. Maybe that is one of the reasons that I connect with so much of his work. Has anyone tried to sing 'Sale of the Century' over the top of TWOTF? I will try this today as I am at home trying to recover from a virus before I leave for CA on Saturday. (it is also a good opportunity as I am very shy about my singing and I have the apartment to myself. I *think* my voice is rather good and I seem to have very good pitch but hell I can't share. 'Just can't) Paul wrote: > I fully agree - the w.o.t.f . is a great track , one of my favourites > alongside Therapy/Growth,I hardly ever hear that track , > yet when I do , I always wonder why ive left it so long --- and why isnt it on > any CD??????. Yet. The eternal optimist! > By the way - for anyone who maybe hasnt seen a similar item > -- the spanish single - Wreck of Fairchild/Airwaves - has a great cover to > it - taken from one of the videos of Live Wireless - cant remember which one > at present . Grrr. Three, count 'em, one, two, three of these beauties have gone on ebay recently and for one reason or another I still don't have one. I believe that the cover for this was shot, as you also note, at the same time as the video for Europa. The setting looks very familiar to me. I think this is the Nuclear Power station on the coast at Sizewell, Suffolk. This is just a stones throw away from the legendary Shingle Street. This is one of my favourite places on our flat old earth. Between Shingle Street and Sizewell is a place called Orford which has the most mind-blowing castle to be found anywhere. Imagine the castle in Monty Pythons Search For The Holy Grail and multiply its splendour by an unfeasibly large number and you will have a basic idea what Henry II's 12. Century (virtually intact) keep looks like. I *love* it there. For those with too much time on their hands: http://www.altavista.com/r?ck_sm=81186ebf&ref=20080&r=http://www.touruk.co.u k/castles/castle_Orford.htm Anyway, to get back on topic I decided to give my dad a call. We/I have been there many times on trips to the coast but I had never asked him what he knew. Jon: "Shingle Street, what do you know about it?" Dad: "That's where the Germans tried to land or an exercises went wrong or something." Jon: "Yes, there are several theories about what happened there but what have you heard?" Dad: "Around the coast during the war there were pipelines installed so that they could pump petrol or some other kind of flammable into the sea and ignite it to make the surface burn and turn back an invading force." "Something went wrong there. There was talk that it was a German invasion force but I heard that it was a landing exercise that went wrong. I was just a kid and it was a long time ago" Come out of your shell and look at the sea it may be just as well you stayed here with me private hell at turn of a key (blindly) into the cloudburst overhead I wanna get my face wet been buried in these hands for years (mindless) into the cloudburst naked there's really no escaping it there's gonna be a cloudburst here Yep. I really think so. There is also a great Martello tower at Shingle Street that was one of a series of over a hundred built to repel a Napoleonic invasion. That beach has been a hot spot for ever. It draws me to it. You have to go there and feel it for yourself. > Oh yes - dont worry im going to sort out my own e mail > address soon - my wifes getting bored of receiving emails which have nothing to do with her. Bored! How dare she ;-) >there's really no escaping it >there's gonna be a cloudburst here What an evocative song. Now Befordshire, that's a lousy place... Jon ------------------------------ Date: Thu, 3 May 2001 14:58:10 +0300 From: jonathan.chiddick@nokia.com Subject: Alloy: Cloudburst Hmmm, I gushed that text down into a mail and then sent before I realised that I had already posted something similar a while back. Apologies for the Shingle Street repetition but I couldn't hold myself back! 'there's really no mistaking it...' Jon ------------------------------ Date: Thu, 3 May 2001 10:30:47 -0700 (PDT) From: Elaine Linstruth <elaine@qnet.com> Subject: Alloy: One more bio to add I hope it's not too late to join in. I'm 33, living on the westernmost edge of the Mohave Desert in Palmdale, southern California (not to be confused with Palm Springs). We currently live at 2,600' elevation, surrounded by brown color as far as the eye can see. In the heat of the summer it's 103-105F every day, and we have sunny skies probably 300 days a year. This is not as good as it might initially sound. I have a husband and am full-time mom to two little girls, ages 4 and 19 months. In another life (prior to 1996), I was a meetings and convention planner in Washington, DC. Sometimes I miss those days, but at least I still have plenty of opportunities to keep my organizational skills sharp. I knew about Thomas from the early 80's (SBMWS, Hyperactive!, Europa). I met the dude who would become my husband through his BBS in the Virginia Beach area in 1988. (He was the Sysop and I was a User. Crackers could probably write a wicked song about that one.) We didn't meet face-to-face until 1989. As we were dating, he introduced me to the real world of TMDR with the album "Aliens Ate My Buick." My husband had all of Thomas's albums except TFE, which we went scouring for in used CD bins. I was absolutely hooked, floored, devoted, and captivated. By both men, you could say. Aliens still ranks as my favorite album by Thomas, although I very much like them all. My favorite TMDR story is from 1993, when I first took the aforementioned events planning job. I was assigned to spend a week in Las Vegas for my company's annual meeting. It was the first business trip I'd ever taken - -- I'd never even so much as hailed a taxi before -- I was somewhat sheltered as a kid. I decided to go whole-hog and rented a car after the meeting, driving down to Arizona for the night. This was a whole new world! First time I'd rented a car, first time I'd been in the desert, freedom from all things office-mundane, my first expense account. I was enjoying myself. I drove way too fast, had all the windows down and the stereo blaring, smoking cigarettes like it was going out of style. I had purchased "Astronauts & Heretics" just days before leaving on the trip, but hadn't heard it yet, and it was back in DC. All of a sudden, this gorgeous song came on my rental car radio! A very familiar vocalist began singing, and it didn't take long to figure out who it was. I turned it way up and started drifting along with it. The song moved me and brought tears to my eyes, in spite of all the childish self-gratification that was going on. The juxtaposition of swamp sounds in that dry, hot, barren place. I still hear and smell and remember that day, every time I hear "I Love You Goodbye." (Yes, in 1993, Las Vegas radio was playing TMDR!) Living 65 miles north of Los Angeles, there are more celebrities down there that I could shake a stick at. I've never seen any up close, but used to in Washington occasionally. Up here in this desert, the only famous person I know of is legendary drummer Carmine Appice. He lives up here in a big ol' compound and is a customer of my husband's company. My brother-in-law went over to help him set up computers once. He was described to me as being very cool and especially nice. The nearest widely-known landmark (skipping L.A. itself) would probably be Edwards Air Force Base, about 25 miles northwest of my house. Today is 5/1/2001 and the space shuttle Endeavour landed around 9 this morning. The two sonic booms triggered someone's car alarm to go off up the street! I heard the booms, then probably 60 seconds later heard them on the live television feed from Edwards. I don't know how it all works, but I think it's baaaaaaaad, brother. If I could ask Thomas one question, hm. One thing I always wondered is whether or not he had any groupies in his touring days. (Somewhere, Robin's head is exploding as I type this.) What was it like backstage? As I mentioned, I also have wondered about the album A&H, and the stories that inspired those songs. I get the impression he wouldn't want to share that, though. The truth is, if I ever got to meet Thomas, I'm sure my mouth would go dry and my mind would go blank. I'm not very good at in-person chitchat. I'd be lucky to eek out something silly like, "Pleasure to meet you. Big Fan." Then I'd go home and bang my head against a wall the rest of the day. To sum up, I'm quiet in real life but tend to type on and on and on without meaning to. I've long since quit smoking. :) I really like TMDR and a few select others -- just like I have few close friends (vs. a ton of acquaintences.) I'm not outgoing, but I'm friendly enough. I've been around here since Paul's creation of Alloy, and found the group through the Kaleidospace artist-in-residence, although I never took part in the old FES. I feel like Thomas's work has shaped my life in subtle ways, and I thank him. Elaine ------------------------------ Date: Thu, 03 May 2001 14:50:31 -0400 From: Robin Thurlow <rthurlow@binghamton.edu> Subject: Re: Alloy: One more bio to add Elaine Linstruth wrote: > If I could ask Thomas one question, hm. One thing I always wondered is > whether or not he had any groupies in his touring days. (Somewhere, > Robin's head is exploding as I type this.) What was it like backstage? Elaine, if you only had any idea how funny it is that you should say this, and what a strange coincidence it is that you should say it just now.... I'm just having a lovely email chat with a friend and recalling my far-distant guitarist ex-boyfriend's horrid "plaster caster" exploits backstage with demented groupies... eh, right before we broke up many years ago. But, quite apart from plaster cast taking.. (!!!!) it would be interesting to hear Thomas' views of fans' general behavior, and perhaps some of the basic differences he might have noticed from country to country. I'm sure it has a lot to do with the way artists are publicized, and how different cultures tend to view artists historically. You also mentioned smoking in your post, another strange coincidence as I've just had lunch and sat around talking with a bunch of people about all of the different things it's possible to smoke. Very interesting! Any other psychics among us out there? :) xxxxxx Robin T ------------------------------ Date: Thu, 03 May 2001 23:29:07 +0100 From: Slarvibarglhee <slarvibarglhee@alloy99.freeserve.co.uk> Subject: Re: Alloy: One more bio to add Robin Thurlow wrote: > {fearlessly snipped} > You also mentioned smoking in your post, another strange coincidence as > I've just had lunch and sat around talking with a bunch of people about > all of the different things it's possible to smoke. Very interesting! > > Any other psychics among us out there? :) > I just KNEW you were going to ask that. Slarv ------------------------------ Date: Thu, 03 May 2001 23:34:27 +0100 From: Slarvibarglhee <slarvibarglhee@alloy99.freeserve.co.uk> Subject: Re: Alloy: Sale of the century / Wreck of the Fairchild jonathan.chiddick@nokia.com wrote: > > And now from Norwich: it's the quiz of the week! > [cue cheesy theme song] > You're showing your age a bit there, sunbeam. > > Norwich is my home town (city actually) and the above isn't going to mean > anything to anyone who was there at the time. > Erm, shouldn't that be 'the above isn't going to mean anything to anyone who wasN'T there at the time.' I wasn't there, but I remember rushing to the TV to switch over to another channel (there were no remote control TVs in those days) as soon as I heard that dreaded phrase. <let's snip again, like we did last summer> Slarv ------------------------------ Date: Thu, 3 May 2001 19:13:11 -0400 From: "Robin" <rthurlow@worldshare.net> Subject: Alloy: a link from Thomas Thomas has just given me a link to singer Tata Vega's web site, and suggested I post it here so that everyone may visit and learn about her. I've just had a look and found she's a truly fascinating and inspiring woman. Tata is the incredibly talented singer who Thomas featured on "Armageddon" from the Gate to the Mind's Eye soundtrack, and on "I'm on my way" from Fever Pitch. In looking at her very extensive discography, I see she was also featured on the Howard the Duck soundtrack.. I wonder if she worked with Thomas there as well? Here's the link: http://www.tatavega.com/ xxxxx Robin T ------------------------------ Date: Thu, 3 May 2001 19:35:17 -0400 From: "Robin" <rthurlow@worldshare.net> Subject: Re: Alloy: One more bio to add Slarvibarglhee wrote: > I just KNEW you were going to ask that. Then you also must have known I'd fall out of my chair laughing at your post! LOL!! (ow, my hip) xxxxx Robin T ------------------------------ Date: Thu, 3 May 2001 20:36:53 -0400 From: "Robin" <rthurlow@worldshare.net> Subject: Re: Alloy: Sale of the century / Wreck of the Fairchild Jon wrote: > Jon: "Yes, there are several theories about what happened there but what > have you heard?" > > Dad: "Around the coast during the war there were pipelines installed so that > they could pump petrol or some other kind of flammable into the sea and > ignite it to make the surface burn and turn back an invading force." > "Something went wrong there. There was talk that it was a German invasion > force but I heard that it was a landing exercise that went wrong. I was just > a kid and it was a long time ago" > > Come out of your shell > and look at the sea > it may be just as well > you stayed here with me > private hell at turn of a key > (blindly) into the cloudburst overhead > I wanna get my face wet > been buried in these hands for years > (mindless) into the cloudburst naked > there's really no escaping it > there's gonna be a cloudburst here I'm really fascinated by historical things like this. It does sound as if it might have played into the conception of the song, but personally I've always felt "Cloudburst.." was a more personal kind of statement, or train-of-thought... about not wanting to be trapped in a certain stage of life or situation, and having to make it through something really wrenching and difficult in order to break free. > Yep. I really think so. There is also a great Martello tower at Shingle > Street that was one of a series of over a hundred built to repel a > Napoleonic invasion. That beach has been a hot spot for ever. It draws me to > it. You have to go there and feel it for yourself. On a documentary recently I saw footage of a certain town somewhere in the south of England, where one of the houses has a giant shark sculpture positioned head-first, halfway through its roof. The house's owner put it there, and apparently the people in the town complained for a little while, then realized they kind of liked it.... What town is this, does anyone know? xxxxx Robin T who can't seem to shut up today ------------------------------ End of alloy-digest V6 #112 ***************************