From: owner-alloy-digest@smoe.org (alloy-digest) To: alloy-digest@smoe.org Subject: alloy-digest V4 #80 Reply-To: alloy@smoe.org Sender: owner-alloy-digest@smoe.org Errors-To: owner-alloy-digest@smoe.org Precedence: bulk X-To-Unsubscribe: Send mail to "alloy-digest-request@smoe.org" X-To-Unsubscribe: with "unsubscribe" as the body. alloy-digest Thursday, March 11 1999 Volume 04 : Number 080 Today's Subjects: ----------------- Alloy: Re: tattoos, & Robin begs pardon (& asks question) [RThurF@aol.com] Re: Alloy: scary flicks [Kathleen McClelland <Kathleen.McClelland@online.] Re: Alloy: Mary Coller/ MULU Neon Sisters debate [RThurF@aol.com] ---------------------------------------------------------------------- Date: Wed, 10 Mar 1999 19:38:46 EST From: RThurF@aol.com Subject: Alloy: Re: tattoos, & Robin begs pardon (& asks question) In a message dated 3/10/99 12:50:59 PM Eastern Standard Time, jbolton@ooze.nwfsc.noaa.gov writes: :: Oh, and eventually, I'd like to get a picture of Koga, one of our African greys, on my arm. She would make a very cool tattoo. :: I would love to see this, if you do get it done! Do you have an artist in mind? :: Sorry again for being off-topic :-] :: Don't worry, Jennie! I have been the most evil one of all lately when it comes to being off-topic this week. I'll try to be better from now on, everyone, I promise :) My big excuse is that I'm doing mental gymnastics with this relocation, setting up my business, buying a car (which I now have to learn how to drive), packing at home, packing at work, talking to suppliers in France & Germany... aargh! When released from the rigors of planning, planning, planning, my mind likes to wander far afield. Can't wait til I'm settled again, so I can concentrate on nothing but violin making & setting up the list FAQ. I'm gathering all kinds of nice info to put there, so hopefully it will be worth all of this advance publicity. Can everyone please write to me with your web page addresses, if you would like me to have links from the FAQ? Robin T ------------------------------ Date: Wed, 10 Mar 1999 17:53:50 -0800 From: Kathleen McClelland <Kathleen.McClelland@online.disney.com> Subject: Re: Alloy: scary flicks You just named some of my favorite thrillers. Nightmare on Elm Street (the first one) is another thriller. Of course, on a lighter gothic note, I always enjoy watching 'Rockula' with my favorite artist in it. Stanley the mortician. Love the commercials he came up with. Talk about flashy!!, and I don't mean plug-in either. Pax Aye, Kate;-) RThurF@aol.com wrote: > In a message dated 3/10/99 3:02:56 AM Eastern Standard Time, > darkpoet@darkpoet.com writes: > > :: I love the old gothic style > suspense horror film called THE HAUNTING with Julie Harris, that was > based on the book. My favourite all time scary movie probably...Haunting > of hell house with Roddy McDowell and The Changeling are up there > too...creepy (can't talk about the shining) KUBRICK 70 is not that > old...natural causes huh? Sure...I still watch The Haunting, of gawd the > doors breathing in and out...scared the hell out of me as a child. > Showing my age;I can't understand today's horror/slasher films... :: > > I grew up on these great old films too (Saturday afternoon Chiller Theater!) > The Changeling is one of the scariest films ever IMO... especially when he > drives to the river to throw the ball in, and goes back home, opens the door, > and the same ball bounces down the stairs again, only now... it's wet! > ::shudder:: > > Robin T ------------------------------ Date: Wed, 10 Mar 1999 20:42:23 EST From: RThurF@aol.com Subject: Re: Alloy: Mary Coller/ MULU Neon Sisters debate In a message dated 3/10/99 7:25:35 PM Eastern Standard Time, darkpoet@darkpoet.com writes: :: All of you, don't need to acknowledge this email of mine, I know you all understand but will be most worried about the traffic too and losing her and others. :: Don't worry Debrah. Alloy sometimes goes through an ultra busy cycle, then it calms down (all of us old timers have seen this happen before from time to time). Mary was perhaps just overloaded with work for the time being & couldn't keep up. Hopefully it would cheer you up to think of it in a different light, bearing in mind the fact that Mary is Thomas' personal manager. Maybe she's got very little extra time because they're cooking up something exciting for the near future..? (There, I knew that prospect would make you smile again :) As for the debate on Mulu/Neon Sisters... I am a mere listener, and know nothing of recording or production... but I love the drums on Neon Sisters (Budgie!) The song reminds me of our beautiful friend Sarah who died about two years ago. She was tough but very fragile in so many ways, and none of us could help her out of her self-annihilation streak. Dave had known her since high school, and another friend had known her since they were around 6! So I love this song but it makes me very sad. Thomas' voice sounds exactly the way I think it should for the expressiveness it requires, he's obviously angry & at the same time horribly distraught. If he had sung it with diamond-like precision, it would not have worked. Mulu is fascinating, it's one of those great impressionistic story songs that I love... I can really see different scenes throughout it in my mind (whether it's intentional on the writer's part I'll never know, but it's very transporting) This is a song I feel a unique love for, especially because it was extremely effective during one particular bad migraine of mine... I followed his voice along through this song like a gently winding road & it somehow lifted me out of that migraine, at least for the moment, which - trust me - is enough! Interesting that certain pieces Thomas has written have fallen out of favor with him. I don't know any artists who don't go through this from step to step over the courses of their creative lives. This goes along with the process of development I'm sure, where some things may not seem to have as much of one's own 'fingerprints' on it as one would like, when looking back on them.. but to us (or at least me) each piece is an individual with a life of its own. I wouldn't want to do without anything he's written, because they show various facets of his abilities & things he's wanted to experiment with. I've always thought of Thomas as the daring, explorer type, which makes his music forever tantalizing. I wonder if he has thought of putting any energy toward more film work too? Robin T ------------------------------ End of alloy-digest V4 #80 **************************