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Produced by Happy Rhodes.
All material written and arranged by Happy Rhodes.
Sequencing, Programming, Sampling and Vocals by Happy Rhodes.
Published by Hovering Slab Music (BMI) and Samson Publishing
except "Ra Is A Busy God" ©1995 Hovering Slab Music (BMI)
Engineered by Happy Rhodes with additional tracking by Kevin Bartlett
at Aural Gratification
All vocals engineered by Kevin Bartlett
Jerry Marotta's drums recorded by Chris Anderson at Nevessa Production Woodstock
Mixed by Chris Anderson with Happy Rhodes at Nevessa Production Woodstock
Mastered by Stephen Marcussen at Precision Mastering.
Digital Editing by Ron Boustead at Precision Mastering.
Art direction by Mike Delich
Concept direction by Happy Rhodes
Graphic design and concepts by Auriea Harvey - Entrophy Digital Arts.
Photos by Melissa McGill / Hippogriff Design
Acoustic tracks:
"The Chariot"
Nylon String Guitar by H. Rhodes
Jug, Vase, Linguini Grill, Log Drums, Bongos, Mini Djembe and Chimes by Kevin Bartlett
"Serenading Genius"
12 String Guitar by H. Rhodes
Nylon String Guitar by H. Rhodes
Drums by Jerry Marotta
Bass by Kevin Bartlett
"Tragic"
Drums and Percussion by Jerry Marotta
Bass and BassLoopie Things by Carl Adami
Harmonic and Original E-bow by Kevin Bartlett
"Many Worlds Are Born Tonight"
Harmonic and Original E-bow by Kevin Bartlett
"Ra Is A Busy God"
Drippy Bass by Kevin Bartlett
"Proof"
Bass by Carl Adami
Additional Voices by Kelly Bird and Mitch Elrod
Shadow E-bow by Kevin Bartlett
"Roy (Back From The Offworld)"
Violin by Rob Taylor
Bass and Bass Loops by Kevin Bartlett
"Looking Over Cliffs"
Bass by Kevin Bartlett
Hand Percussion by H. Rhodes and Kevin Bartlett
"Winter"
Barney Rubble Drums, Nails of Goat and "Oh" by Jerry Marotta
Samples were taken from:
For "Tragic"
Peter Siedlaczeks' Classical Choir
For "100 Years"
David Torn's Tonal Textures #22 and
Gota Yashiki's Groove Activator
For "Proof"
Project Lo's Dabblings In Darkness, "Three Rivers Of Lor"
David Torn's Tonal Textures #6,
Rich Goodhart's Never Give A Sword To A Man Who Can't Dance, "Ritual Dreaming" Copyright 1995
(R.G. Beginner's Mind Production with kind permission, published by Mind Waves Music, BMI)
SSS Laidback Drumtools
Big Fish Audio's Loopalicious and Drum Looks 3
Trevor Rabin's Can't Look Away "Something To Hold On To" Copyright 1989
(Tremander Songs, with the kind permission of East End Management)
For "Looking Over Cliffs"
"Warrior Songs" - Purchased on the streets of N.Y.C from an American Indian...
No additional information provided so I cut out its heart and set its spirit free...Thank you
For "Many Worlds Are Born Tonight"
Rarefaction's A Poke In The Ear With A Sharp Stick ...Voice.
For "Winter"
David Torn's Tonal Textures, #'s 20, 23 and 27
GRATEFUL TO:
Dane McCauley because he was so encouraging.
David Torn because he asked people to listen to me.
Mike Delich, Norm Waitt, Jr., Richard Musil, Michael Shrieve and everyone at Samson Music
because they want all the right things for my music and career.
Vickie Mapes because she annoyed the people on Gaffa.
The Ectophiles because they represent one of the reasons to continue.
Sharon Nichols because she's seen the "real me" and I'd like to stay on her good side.
Susanne White because she worked really hard for a long time to see good things happen for me.
Suzanne Cerquone because she always clues me into cool opportunities.
Jerry Marotta because he's been very supportive.
Carl Adami and Melissa McGill because they're Judy and Toast.
Kevin Bartlett because he exceeds my expectations of humanity.
Finally, the people who
build the machines,
create the sounds,
innovate the methods...
you people are my inspiration.
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