I recall seeing his name in credits for writing sketches on the Tracey Ullman Show back in the day among other things. -------------- Original message ---------------------- From: "Stewart Mason" > I see what you mean, but that's not always the case. For one thing, > Paul Haggis is from Ontario, but he isn't really a "Canadian" > filmmaker -- according to his Wikipedia bio, he's been based in LA > since 1975, and DUE SOUTH is the only CanCon on his credit list. (I > had no idea he'd co-created WALKER, TEXAS RANGER! Cool!) And for > another, I can think of tons of non-obvious Canadian movies over the > decades that are the equal to any movie funded out of Hollywood, and > many of them are by first- or second-time directors. > > S > > > ----- Original Message ----- > From: "bob" > To: > Sent: Friday, September 21, 2007 4:40 PM > Subject: Re: Film and Walker...Re: What do you want to like? > > > > Canadians are the nicest people in the world...but the writers of > > Canadian films have to state the obvious to get any funding when > > they start out: > > War is bad > > Racism is bad > > America is big...you know...the usual. But look at comedy and music > > and Canadians are writing history. > > We rock...we roll...we'll blow up the Hollywood bowl. > > > > Your resident Canarican, > > > > bob > > > > > > > > > > floatingunder wrote: > > --- In audities@yahoogroups.com, "Stewart Mason" > Two > > words: Paul Haggis. When he was a TV writer, he was fine (he > >> created and produced a really charming Canadian series called DUE > >> SOUTH, about a Mountie working in Chicago, that I quite liked), but > >> his movies are the epitome of middlebrow self-importance. CRASH has > >> to be one of the most overhyped films of recent years. Its > >> supposedly > >> deep, profound message is, fundamentally, "uh...racism is bad, 'n > >> stuff." Well, I knew that. Can I have my six bucks back? > >> > >> S > > > > > > Yeah, he's very hyped at the moment. My wife and I discussed what > > was > > wrong with the film and we ultimately thought the biggest issue came > > down to flaws in the writing. Well, she never bought Charlise T. for > > one moment in her role, way to refined despite the look. Again, IMO, > > it's not a bad film primarily because Jones give a nice subdued > > performance. But the tone changes from quiet and serious to a > > moments > > of seeming like the ABC TV Movie of the Week. > > > > Steve (sucker for film talk) D. > > > > > > >