d. bash wrote: <> In my opinion, some discs lend themselves to direct artist comparisons more than others (ie, just try to write a review of the Spongetones' BEAT MUSIC without mentioning the Beatles, or Jeff Foskett without referencing the Beach Boys). Honestly, I don't hear a lot of current bands that sound EXACTLY like Raspberries or Badfinger or Big Star (except for maybe a song here or there), so I try to avoid those tried-and-true power pop comparisons as much as possible. But I think that *some* reference points are good, and can be helpful for the reader. Otherwise, it's back to the oh-so-tired "chiming guitars, sweet harmonies and more hooks than a tackle box" descriptions. Yuck. I guess what I'm saying (I think) is that it's good for writers to try to find some sort of balance between reference points and sound. To wit: I just reviewed the upcoming Ed James CD for my column in AMPLIFIER. (I think the disc is absolutely dreadful, by the way, a major disappointment after James' first two fine efforts.) There is one song that is very obviously a Cars ripoff, so not to mention Ocasek and company in my review seemed disingenuous. There's another where poor Ed (who sings like Dennis DeYoung's wimpy 'lil bro anyway) steals MAJOR bits from Styx's "The Best of Times." Again, how can you NOT mention it? But when Ed broke out the big riffing guitars on a Southern-type boogie number called "Swimsuit Body and a Catfish Head" (it's as bad as it sounds, yes), I didn't necessarily feel the need to run to my extensive Southern rock LP collection---OK, I don't *have* a Southern rock LP collection, but you know what I'm saying---to find a song or an act that Ed's song sounded like. I think I just called it "dreadfully hamfisted boogie rock" and left it at that. JB np: Eugene Edwards - "My Favorite Revolution"....Album of the Year, thus far...