No, that's not true. The only instance of 2 four tracks running together was during the recording of the orchestra during "A Day In The Life" and they didn't stay in sync very well. However, your point is a bit valid since the usual method was to fill all 4 tracks and bounce that down to one or two tracks on another four track machine and start over. The techonology exists now (and was used on the Anthology and Yellow Submarine discs) to take all the tracks used on the various 4 track tapes and dump them in sync to a modern multi-track machine (probably using Pro-Tools). That's all well and good, but I would imagine that even with today's gadgetry it would be very difficult to improve upon George Martin's and Geoff Emerick's original mixes. Those guys are better than us - honest! Bobby Sutliff PS - even the 4-track mixes wouldn't fit on one cd. > > Date: Fri, 5 Sep 2003 18:02:20 +0100 > From: "Andrew Hickey" > To: > Subject: Re: 4-track CDs > Message-ID: <02f101c373cf$786f7220$0201010a@stealthfjxzhgf> > > garymaher@juno.com wrote: > > I've been saying for a while that there HAS to be a market for a four > > track Sgt. Pepper release. It will fit on one CD, and there's plenty > > of room for a utility users could install on their computer that > > would let them manipulate the levels. I'm positive there are plenty > > of people who would pay good money to be able to listen to each track > > independently and find nuggets that were mixed out. > > Really it'd need to be about 8-track - most of the tracks were done with two > 4-track tape machines synched up... > > --