Holy S**t department: Once a month the Celluloid Social Club, a drop in once monthly event for film aficianados and those in "the biz," and commoners such as myself, takes place at the Anza Club(australia-new zealand society -- now when those two can drink in harmony ya know Canada is a truly special place). Drop in fee is a fiver. There's usually a indie film and discussion. Well, next weds the guest is ANDREW LOOG OLDHAM and the indie film is CHARLIE IS MY DARLING the rare Stones documentary. Yow & Gah. It's not to late to jump on a train, guys. See you there. I went online to find more info about the documentary and found Oldham mentioned twice in the following writing by our pal Gary Pig Gold (who truly must think I'm stalking him ) Wonder why never released? regards, Judith TEN REASONS WHY THE ROLLING STONES WERE THE WORLD'S GREATEST ROCK AND ROLL BAND 2. ANDREW LOOG OLDHAM Take equal parts Col. Parker and Phil Spector, mix with a liberal helping of Laurence Harvey (cf: "Expresso Bongo"), garnish with a dash of Anthony Burgess, and you have the wonderlad who transformed himself from failed pop crooner Sandy Beach to frustrated Brian Epstein gofer to chart-topping svengali of the world-famous anti-Beatles .....all within a mere eighteen months. Needless to say The Rolling Stones, not to mention Malcolm McLaren, would not - in fact, could not have ever risen to successfully battle the rock wars without the skilled example of Andrew Loog. 7. "CHARLIE IS MY DARLING" Forget "A Hard Day's Night," "Eat The Document" and even "Gimme Shelter": for a true docu-style glimpse of those once-swinging Sixties, "Charlie Is My Darling," produced, of course, by Andrew Oldham, boldly treads where no Arriflex had been before (ie: into an Irish hotel ballroom circa 3 A.M., where them shit-faced Glimmer Twits butcher "Return To Sender" whilst sliding tumblers full of champagne back and forth across a grand piano top). Also watch the band being savagely attacked on stage, and hear Brian describe what "surrealism" means to him. Hmmm... I wonder why this has still never been screened in America?