I just hope the labels learn the right lesson from Norah Jones' big cleanup
at the Grammy's: That there is money to be made by working and developing
other areas of the pop/rock spectrum that have been overlooked in recent
years.

My fear is that they will, as usual, learn the wrong lesson and just trot
out half a dozen Norah Jones clones in the coming year. Would be more than
happy to be proven wrong though.