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ivan@stellysee.de
| From | Ray Paul <permpress@earthlink.net> |
| Subject | RePly: Paul on late night talk shows |
| Date | Mon, 20 Jul 2009 19:50:04 -0400 |
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The original question had to do with Macca appearing on Late Night Talk
Shows. Not Super Bowl pre-game shows, Stern or Ellen or anything else.
Just late night. I just additionalloy threw in those 2 (Ellen & the
View) because they ARE actual talk shows...but not late night ones?
Checkmate?
RP
------------------------------
Date: Mon, 20 Jul 2009 15:04:47 -0000
From: "floatingunder" <underthefloat@msn.com>
To: audities@smoe.org
Subject: Re: Paul on talk shows
Message-ID: <h4212f+8s34@eGroups.com>
--- In audities@yahoogroups.com, Lee Elliott <blelliott01@...> wrote:
>
> And 2 on Howard Stern - not sure if he allowed them to be televised.
>
> --
> Lee Elliott
OK, not a talk show but... didn't he get "interviewed" by the football
announcers when he played at the super bowl a few years ago?
------------------------------
Date: Mon, 20 Jul 2009 08:23:35 -0700
From: Michael Coxe <popville@gmail.com>
To: audities@smoe.org
Subject: Re: an audacious challenge :)
Message-ID: <4A648BF7.60101@gmail.com>
On 7/19/2009 8:04 PM, Daryll Collins wrote:
>
> Personally if this list only encompassed such a narrow aspect of the
> music scene, I'd have little interest. I've always looked at this list
> as pertaining to Pure Pop. A much wider umbrella.
The Audities Magazine model was quite broad. Insanely Great Pop embraced
the quirky, the twangy, the indie, the loud and pounding (Off Broadway's
"Fallin In'" screams Insanely Great!) and (insert pop genre here).
Power-Pop was not the only popism. I remember the first Audities-List
discussions being about Kyle Vincent and That Thing You Do - neither
following a strict power-pop definition. But the magazine took a dirt
nap shortly after the list began, and its mantra faded.
Anyone remember early-on storm over the Ambrosia discussion? Oh the
heresy - the genre whose name shall not be mentioned - AOR! Now that was
fun! Bash vs. the Bomp crowd. Right up there with the Twee death match
of Mason & Oakes.
- Michael
------------------------------
Date: Mon, 20 Jul 2009 11:28:53 -0400
From: "Christopher Kouzes" <Christopher.Kouzes@baker-taylor.com>
To: <audities@smoe.org>
Subject: Re: an audacious challenge :)
Message-ID:
<BFBE6EDFE180D14599CF686F1E84E84E0390387B@CLTEXCHANGE.btcorp.intra.btol.
com>
I use the term pretty loose and liberally. Especially now when ripping
CDs and needing to tag songs and albums appropriately. Pretty much if
it's catchy and melodic (ranging from balls out to wussy in terms of
power), I'm generally tagging it as "power pop." If nothing else it
helps separate this type of music from more general categories such as
"pop" or "rock."
-----Original Message-----
From: audities-owner@smoe.org [mailto:audities-owner@smoe.org] On Behalf
Of Michael Coxe
Sent: Monday, July 20, 2009 11:24 AM
To: audities@smoe.org
Subject: Re: an audacious challenge :)
On 7/19/2009 8:04 PM, Daryll Collins wrote:
>
> Personally if this list only encompassed such a narrow aspect of the
> music scene, I'd have little interest. I've always looked at this list
> as pertaining to Pure Pop. A much wider umbrella.
The Audities Magazine model was quite broad. Insanely Great Pop embraced
the quirky, the twangy, the indie, the loud and pounding (Off Broadway's
"Fallin In'" screams Insanely Great!) and (insert pop genre here).
Power-Pop was not the only popism. I remember the first Audities-List
discussions being about Kyle Vincent and That Thing You Do - neither
following a strict power-pop definition. But the magazine took a dirt
nap shortly after the list began, and its mantra faded.
Anyone remember early-on storm over the Ambrosia discussion? Oh the
heresy - the genre whose name shall not be mentioned - AOR! Now that was
fun! Bash vs. the Bomp crowd. Right up there with the Twee death match
of Mason & Oakes.
- Michael
------------------------------
Date: Mon, 20 Jul 2009 08:17:43 -0700 (PDT)
From: Marty Rudnick <mrudnick@marturo.com>
To: <audities@smoe.org>
Subject: Re: The Definition
Message-ID: <20090720151743.354DE1EFA@swiftsure.cnchost.com>
I know people don't think of Wikipedia as authoritative, but this is as
good a definition as I've seen:
http://en.wikipedia.org/wiki/Power_pop
...if that helps put an end to it. End to it!
---- <audities@smoe.org> wrote:
>
> It's ba-aack.
>
> ---------- Original Message ----------
> For the sake of discussion, would you be willing to give me examples of
> what Power Pop is?
>
> My definition of Power Pop is . . .
>
> <futility snip>
>
> =======================================================================
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>
------------------------------
Date: Mon, 20 Jul 2009 16:12:59 -0000
From: "rickbilous" <rickbilous@yahoo.ca>
To: audities@smoe.org
Subject: Re: an audacious challenge :)
Message-ID: <h4252b+8lmc@eGroups.com>
Gigolo Aunts - Minor Chords and Major ThemesAbsolutely stellar - every
single song is amazing.This is the album that SHOULD have made them
huge. They opened for Counting Crows on this tour, back when Counting
Crows was huge. You can find this one pretty easily in a cut-out bin at
the few record stores that are left on a side note I just got back
from my first trip to New York, and while I love the city and its
residents, the record store shopping was absolutely atrocious.
Considering the number of people that live there, there weren't very
many stores ( I went to about 15), and the selection in them was lame -
I went to Greenwich Village (Bleeker Street) and the East Village (St
Mark's Place) - am I missing something? A lot of the music stores that
were in the phone book had since gone out of business. Is this
happening in other cities? I honestly felt like I wasted a day that I
could have been sightseeing instead (or waiting in line to see
Letterman).I know in Calgary, qui!
te a few stores have closed down recently(in the small chance you will
be coming to Calgary, check out RECORDLAND - still the single best
record store I have ever been to ( I know I have to check out Amoeba in
the future). In my opinion, the best city to go music shopping is
without question SEATTLE there has to be about 10 great stores in the
Emerald City. New Yorkers, I know you love your city, and I love it
too, but the music stores stink!
------------------------------
Date: Mon, 20 Jul 2009 16:15:46 GMT
From: "garymaher@juno.com" <garymaher@juno.com>
To: audities@smoe.org
Subject: Re: Paul on talk shows
Message-ID: <20090720.121546.21079.0@webmail06.vgs.untd.com>
At least one of the Howard Stern Shows with Macca was televised. I
remember seeing it. And here it is:
http://www.youtube.com/watch?v=R_wxmfKg3jk
g
------------------------------
Date: Mon, 20 Jul 2009 16:30:35 -0000
From: "floatingunder" <underthefloat@msn.com>
To: audities@smoe.org
Subject: Upon further review
Message-ID: <h4263b+ks3b@eGroups.com>
This is question to any of you who write reviews of music (in print,
blog or elsewhere). You all must have written reviews of music that you
loved at that moment in time and then later, after repeated listens
came to believe it didn't really measure up as you thought it had.
Perhaps it simply didn't age as well as you'd assumed. Or conversely,
perhaps you reviewed something you panned at the time but after further
exposure to the music (or simply the timing of hearing it again at
another time in your life) you came to love it.
So my question is do any albums really jump out to you that you
initially loved and came to dismiss or even loath? Or vice versa? Have
you written updated reviews to "correct" your opinion? If your so
inclined to share, I'm just find such things interesting...
Steve D.
NP: Lou Christie "Paint America Love"
------------------------------
Date: Mon, 20 Jul 2009 16:44:24 +0000
From: rob@splitsville.com
To: audities@smoe.org
Subject: Re: Upon further review
Message-ID:
<1092306317-1248108264-cardhu_decombobulator_blackberry.rim.net
-1157445248-@bxe1292.bisx.prod.on.blackberry>
Much more loathe then loved.
I was a bit of a music snob (no shit) when I was younger, and I thought
Van Halen and Bon-era AC/DC sucked.
Wrong.
Listen to VH's "Fair Warning". Absolutely rocks. "Unchained", "So This
Is Love?", etc are phenomenal. And it's even got some great backing
harmony vocals on there.
The entire Bon-era of ACDC is absolutely kick ass, balls to the wall
rock. And that band could boogie with the best of 'em. I want to break
shit when I hear "Long Way to the Top", "TNT", "Whole Lotta Rosie" and
such.
Masterpieces of sonic power.
------Original Message------
From: floatingunder
Sender: audities-owner@smoe.org
To: audities@smoe.org
ReplyTo: audities@smoe.org
Subject: Upon further review
Sent: Jul 20, 2009 10:30 AM
This is question to any of you who write reviews of music (in print,
blog or elsewhere). You all must have written reviews of music that you
loved at that moment in time and then later, after repeated listens
came to believe it didn't really measure up as you thought it had.
Perhaps it simply didn't age as well as you'd assumed. Or conversely,
perhaps you reviewed something you panned at the time but after further
exposure to the music (or simply the timing of hearing it again at
another time in your life) you came to love it.
So my question is do any albums really jump out to you that you
initially loved and came to dismiss or even loath? Or vice versa? Have
you written updated reviews to "correct" your opinion? If your so
inclined to share, I'm just find such things interesting...
Steve D.
NP: Lou Christie "Paint America Love"
Sent from my BlackBerry® smartphone with SprintSpeed
------------------------------
Date: Mon, 20 Jul 2009 10:29:13 -0600
From: Sam Smith <sam@estreet.com>
To: audities@smoe.org
Subject: Re: Adam Marsland new double album
Message-ID: <4A649B59.2070100@estreet.com>
Put me down for "can't wait."
AdamGhost@aol.com wrote:
> Delurking to do my self-promoting due diligence, since it hasn't been
> posted previously:
>
> I have a new album coming out on August 18th called GO WEST. It's a
> double CD set. 23 new songs, with a 12-page full color illustrated
> lyric booklet.
> It's the best work I've ever done. Easily. The album touches on
> soul,
> rock, punk, pure pop, roots, and even funk and disco influences. It
> also
> includes two covers of songs originally done by the Damned and Kim Fox.
>
> I'll be performing the entire album with a ten-piece band (including
> Evie
> Sands -- who does killer vocals on the new album -- and the usual
> gang) on
> July 31st at Brennan's Pub in Marina Del Rey, CA. We'll also be
> previewing
> some of the songs at IPO on July 29th.
>
> The first video and preview track from the album, "When I Lied To
> Everyone," will be posted on Tuesday to youtube and elsewhere. If
> you are into the
> old, edgy Cockeyed Ghost vibe, you will dig this track.
>
> I'll be on tour throughout the fall with a full band to promote the
> album.
>
> People interested in the album and tour should send me a friend
> request at
> Facebook and/or myspace at the links below. I am not as connected to
> blogs
> as I used to be, so feel free to repost this if you know of others that
> might be interested.
>
> Thanks so much...re-lurking.
> adam marsland
> www.adammarsland.com
> www.myspace.com/adammarsland
> www.facebook.com/karmafrog
>
>
> **************
> Can love help you live longer? Find
> out now.
> (http://personals.aol.com/articles/2009/02/18/longer-lives-through-
> relationships/?ncid=emlweuslove00000001)
>
>
>
--
_______________________
*Sam Smith*
* » RazzberrySync Mobile, Inc. <http://razzberrysync.com>* *:
Principal*
* » Black Dog Strategic <http://blackdogstrategic.wordpress.com>* *:
President*
* » Lullaby Pit <http://www.lullabypit.com>* *: Editor*
* » Scholars & Rogues <http://scholarsandrogues.com/>* *: Editor*
*voice:*
*303.229.0619 /m*
*skype**:** *
docsammy22
*usps**:*
5132 Grey Wolf Pl.
Broomfield CO 80023
*aim:*
lullabypit
*e-mail:*
sam@estreet.com <mailto:sam@estreet.com>
/"...it's a lonesome thing to be passing small towns with the lights
shining sideways when the night is down, or going in strange places
with a dog nosing before you and a dog nosing behind, or drawn to
the cities where you'd hear a voice kissing and talking deep love in
every shadow of the ditch, and you passing on with an empty, hungry
stomach failing from your heart." - John Millington Synge /
------------------------------
Date: Mon, 20 Jul 2009 10:04:52 -0700
From: "Jeff Shelton" <AssociationWorks@comcast.net>
To: <audities@smoe.org>
Subject: Re: The Definition
Message-ID: <064201ca095c$334d36e0$99e7a4a0$@net>
What is Power Pop?
Here you go...
http://www.youtube.com/watch?v=2cEvEUKN4Fw
---------- Original Message ----------
For the sake of discussion, would you be willing to give me examples of
what Power Pop is?
My definition of Power Pop is . . .
<futility snip>
------------------------------
End of audities-digest V6 #219 (13 msgs)
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