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From JIMSOULS@aol.com
Subject Sad news about No Depression
Date Tue, 19 Feb 2008 12:41:30 EST

[Part 1 text/plain UTF-8 (5.3 kilobytes)] (View Text in a separate window)


Just received this. Sad news indeed.
Jim McGuinness
 
SEATTLE, WA - No Depression, the bimonthly  magazine covering a broad range 
of American roots music since 1995, will bring  to an end its print publication 
with its 75th issue in May-June  2008.

Plans to expand the publication’s website  (www.nodepression.net) with 
additional content will move forward, though it will  in no way replace the print 
edition.

The magazine’s March-April  issue, currently en route to subscribers and 
stores, includes the following note  from publishers Grant Alden, Peter Blackstock 
and Kyla Fairchild as its Page 2  “Hello Stranger” column:

Dear  Friends:

Barring the intercession of unknown angels, you hold in  your hands the 
next-to-the-last edition of No Depression we will publish. It is difficult even to 
type those words, so  please know that we have not come lightly to this  
decision.
In  the thirteen years since we began plotting and publishing No  Depression, 
we have taken pride not only in the  quality of the work we were able to 
offer our readers, but in the way we  insisted upon doing business. We have never 
inflated our numbers; we have always  paid our bills (and, especially, our 
freelancers) on time. And we have always  tried our best to tell the  truth.
First  things, then: If you have a subscription to ND,  please know that we 
will do our very best to take care of you. We will be  negotiating with a 
handful of magazines who may be interested in fulfilling your  subscription. That 
is the best we can do under the circumstances.
Those  circumstances are both complicated and painfully simple. The simple 
answer is  that advertising revenue in this issue is 64% of what it was for our 
March-  April issue just two years ago. We expect that number to continue to  
decline.
The  longer answer involves not simply the well-documented and industry wide  
reduction in print advertising, but the precipitous fall of the music 
industry.  As a niche publication, ND is well insulated  from reductions in, say, GM’
s print advertising budget; our size meant they  weren’t going to buy space in 
our pages,  regardless.
On  the other hand, because we’re a niche title we are dependent upon 
advertisers  who have a specific reason to reach our audience. That is: record 
labels. We,  like many of our friends and competitors, are dependent upon 
advertising from  the community we  serve.
That  community is, as they say, in transition. In this evolving downloadable 
world,  what a record label is and does is all up to question. What is 
irrefutable is  that their advertising budgets are drastically reduced, for reasons 
we well  understand. It seems clear at this point that whatever businesses 
evolve to  replace (or transform) record labels will have much less need to 
advertise in  print.
The  decline of brick and mortar music retail means we have fewer newsstands 
on which  to sell our magazine, and small labels have fewer venues that might 
embrace and  hand-sell their music. Ditto for independent bookstores. Paper 
manufacturers  have consolidated and begun closing mills to cut production; we’
ve been told to  expect three price increases in 2008. Last year there was a 
shift in postal  regulations, written by and for big publishers, which shifted 
costs down to  smaller publishers whose economies of scale are unable to take 
advantage of  advanced sorting  techniques.
Then  there’s the  economy…
The  cumulative toll of those forces makes it increasingly difficult for all 
small  magazines to survive. Whatever the potentials of the web, it cannot be 
good for  our democracy to see independent voices further marginalized. But 
that’s what’s  happening. The big money on the web is being made, not 
surprisingly, primarily  by big  businesses.
ND has never been a big business. It was started with a $2,000  loan from 
Peter’s savings account (the only monetary investment ever provided,  or sought 
by, the magazine). We have five more or less full-time employees,  including we 
three who own the magazine. We have always worked from spare  bedrooms and 
drawn what seemed modest  salaries.
What  makes this especially painful and particularly frustrating is that our  
readership has not significantly declined, our newsstand sell-through remains 
 among the best in our portion of the industry, and our passion for and 
pleasure  in the music has in no way diminished. We still have shelves full of 
first-rate  music we’d love to tell you  about.
And  we have taken great pride in being one of the last bastions of the 
long-form  article, despite the received wisdom throughout publishing that shorter 
is  better. We were particularly gratified to be nominated for our third Utne 
award last  year.
Our  cards are now on the  table.
Though  we will do this at greater length next issue, we should like 
particularly to  thank the advertisers who have stuck with us these many years; the 
writers,  illustrators, and photographers who have worked for far less than they’
re worth;  and our readers: You.
Thank you all. It has been our great joy to serve  you.
GRANT ALDEN
PETER BLACKSTOCK
KYLA  FAIRCHILD




**************Ideas to please picky eaters. Watch video on AOL Living.      
(http://living.aol.com/video/how-to-please-your-picky-eater/rachel-campos-duffy/
2050827?NCID=aolcmp00300000002598)

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