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ivan@stellysee.de
| From | Jaimie Vernon <bullseyecanada@hotmail.com> |
| Subject | Re: Story: how mp3 has changed mastering |
| Date | Mon, 31 Dec 2007 11:07:07 -0500 |
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At Date: Mon, 31 Dec 2007 00:56:52 synth wrote:
>
> Well, there's good stuff in there but I don't think he differentiates clearly enough between the tool of compression and the hideous overuse of it that plagues modern recordings... I don't argue how that use of it needs fixing yesterday, but I think many people will come away from reading that absolutely sure that compression is the problem rather than a certain use of it being the problem.
And there's a BIG difference between compression used in RECORDING instruments/voice and compression used in MASTERING. It's one thing to crunch a kick pedal to make it stand out alongside the other sections of a drum kit....it's a another beast altogether when the kick drum becomes as loud as everything else on the recording because the mastering engineer has compressed the hell out of the stereo mix to make the dynamics a moot point.
Jaimie Vernon,
President, Bullseye Records
http://www.bullseyecanada.com
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Author, Canadian Pop Music Encyclopedia
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