Sign In Sign Out Subscribe to Mailing Lists Unsubscribe or Change Settings Help

smoe.org mailing lists
ivan@stellysee.de

Message Index for 2007114, sorted by... (Author) (Date) (Subject) (Thread)
Previous message, by... (Author) (Date) (Subject) (Thread)
Next message, by... (Author) (Date) (Subject) (Thread)

From rob@splitsville.com
Subject =?US-ASCII?B?UkU6IFJlOiBMeWRvbg==?=
Date Wed, 28 Nov 2007 16:04:55 -0500

[Part 1 text/plain US-ASCII (1.9 kilobytes)] (View Text in a separate window)

Hell, London Calling had punk, reggae, rockabilly and straight pop on it. All before the end of side one.

>----- ------- Original Message ------- -----
>From: :audities@smoe.org
>To: craigtorso@verizon.net, audities@smoe.org
>Sent: Wed, 28 Nov 2007 15:55:57
>
>> I'm sorry, Alan, but I gotta go with Jaimie on
>this one: you seem to have 
>> a misapprehension of what punk is, both lyrically
>and musically, that's 
>> going to make it hard to continue this
>conversation much further.  I'm not 
>> saying that you're in any way duty-bound to
>listen to or appreciate punk, 
>> I'm just saying that your statements on the topic
>so far suggest that part 
>> of your disdain for the style is based on a
>misreading of intent.
>>
>And just a word in defense of aggression, here for 
>a moment. Given the 
>societal forces that gave rise to punk (at least
>its English incarnation) in 
>pre-Thatcherite Britain, is it really any surprise
>that the music was fired 
>by people looking to work out their frustrations?
>Take rampant unemployment, 
>simmering tensions between youth and the police and
>an economy that was 
>generally in the toilet with no prospect for
>improvements, and I'm guessing 
>you'd be pretty hacked off as well.
>Even still, it seems pretty reductive to just write
>it off as "aggressive," 
>and nothing more. There was some serious melodicism
>in the songs of The 
>Clash. I've already opined on the sonics of "Never
>Mind the Bollocks."
>And one of the things that doesn't get written
>about nearly enough to my 
>mind, is the intersection between punk and reggae.
>For a group of people 
>generally written off as scribbling swastikas
>across their shirts, the punks 
>were remarkably inclusive. Before there were any
>punk records in the 
>jukebox, DJs were spinning King Tubby and Studio
>One tracks between sets.
>That seems pretty forward thinking to me.
>
>john micek 

Message Index for 2007114, sorted by... (Author) (Date) (Subject) (Thread)
Previous message, by... (Author) (Date) (Subject) (Thread)
Next message, by... (Author) (Date) (Subject) (Thread)

For assistance, please contact the smoe.org administrators.
Sign In Sign Out Subscribe to Mailing Lists Unsubscribe or Change Settings Help