Sign In Sign Out Subscribe to Mailing Lists Unsubscribe or Change Settings Help

smoe.org mailing lists
ivan@stellysee.de

Message Index for 2004123, sorted by... (Author) (Date) (Subject) (Thread)
Previous message, by... (Author) (Date) (Subject) (Thread)
Next message, by... (Author) (Date) (Subject) (Thread)

From Mark London <mrl@psfc.mit.edu>
Subject Re: New R & R HoFers
Date Wed, 15 Dec 2004 13:18:32 -0500

[Part 1 text/plain us-ascii (2.9 kilobytes)] (View Text in a separate window)

>Does the Rock & Roll Hall Of Fame ever bestow the honor upon songs?
>
>At any rate, there's no doubt that if The RRHOF did this, "Louie, Louie"
>would be a worthy honoree.

The song is worthy, but since the Kingsmen were covering a song that 
was already was covered by many other bands before them, I would give 
it a couple of demerit points.  And especially because the other 
Kingsmen songs really don't have the same spirit that that one song 
has (at least the ones I've heard).

Btw, this leads into another topic of mine, which is what makes a 
really great song, versus songs that are just average.  Louie louie 
has:

A) Cool and imaginative vocal style.
B) Cool sounding lyrics.

And especially missing is:

C) The song tells a story.  It's not a song about what the singer's 
opnion is of things, or what they are feeling.  There's too much "I" 
in most songs.  Now, if you happen to think or feel like the singer, 
then the song will mean something to you.   Otherwise, not.  However, 
if you tell a story, that allows one to be able to add many more 
dimensions to the song.  I believe that the most memorable and long 
last songs, are those that do tell a story.

One caveat though.  If a song is very instrumentally creative and/or 
has great production, that will offset deficiencies of some of the 
other aspects.   And in the the era of singles and top 40 format, 
bands and producers often put everything they had into a single song, 
and tried to come up with something special that would catch people's 
ears.   As an example, staying in the 1960s,  I recently have been 
listening to the Human Beinz's version of "Nobody But Me".  Listen to 
that, and catch all the cool percussion sounds they create, and the 
different instruments, and the instrument changes that occur in 
different parts of the music.  Plus, the song has a really good bass 
line.  When's the last time you heard a song, where you could 
alternate between listening to the lead guitar, the rhythm guitar, 
the bass, and the percussion, without getting bored concentrating on 
any of them?  The more "stuff" going on in a song, the more likely 
I'll never tire of listening to that song.

Mark

P.s.  Roger Maris was the MVP the year before, so it's not like he 
was a one hit wonder.  And he might have had a better career, if not 
for a number of injuries.  He played one whole year with a broken 
hand without knowing it.  On the other hand, he might not have broken 
the home run record, if not for the fact that Mantle was playing 
behind him.  I.e., he never got an intentional walk that year, 
because who would walk him to bring up Mantle?  If that order had 
been reversed, and if Mantle had not had a hip injury late in that 
year, it's very possible that Mantle would have set the record 
instead.  So, like music, sometimes there's luck involved, in being 
in the right place in the right time.

Message Index for 2004123, sorted by... (Author) (Date) (Subject) (Thread)
Previous message, by... (Author) (Date) (Subject) (Thread)
Next message, by... (Author) (Date) (Subject) (Thread)

For assistance, please contact the smoe.org administrators.
Sign In Sign Out Subscribe to Mailing Lists Unsubscribe or Change Settings Help