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ivan@stellysee.de
| From | Jeremy A Morris <jeremy.morris@juno.com> |
| Subject | TRANQUILITY, and other new releases! |
| Date | Tue, 26 Oct 2004 09:35:44 -0400 |
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TRANQUILITY-- Their first great lp from 1972 is finally on cd!
If you love superb layers of pop harmony
vocals, I highly recommend you pick this up.
This band made two excellent albums. Lets
hope the second gets released too.
BRAHMAS----TRY BABY Another great Spanish power pop band. I would put
this right up there with
Zinedines and Carrots!
THE DAY TRADERS--- More great US pop. They used to be called The Dent.
This is basically
the same band under a new name.
LUND BROTHERS----Tangents This band has a singer that really sounds
alot like Robin Zander at times.
This
band used to be called INTERNATIONAL POP OVERTHROW, and
before
that LOSER... Good, good, stuff
ED JAMES----Big Time The long awaited 3rd release is here!
Available from all good pop venders!
THE RINGLES----Take a ride The long awaited 2nd release from
this Illionios psych-pop band!
Again,
available from all good pop venders!
jeremy
www.jamrecordings.com
On Tue, 26 Oct 2004 02:00:18 -0400 audities-owner@smoe.org writes:
> The Audities Digest: for the discussion of insanely great pop
> Volume 2 : Issue 800 : "text" Format
>
> Messages in this Issue:
> Re: SNL [Mike Nattboy
> <paris2000@comcast.net>]
> Re: SNL [Mike Nicholson
> <mnick@nc.rr.com>]
> Re: Ashlee Simpson Meets Milli Vanilli
> ["Jaimie Vernon"
> <bullseyecanada@hotmail.com>]
> Re: Underground Garage & Cotton Mather
> [Donmand@aol.com]
> Brian Wilson and Cliff Hillis on UnderGround Radio
> ["Adam Waltemire"
> <aawgoon@cfl.rr.com>]
> Popboomerang Sale ["info"
> <info@popboomerang.com>]
> Re: Rocking My World
> [DanAbnrml9@aol.com]
> Acoustic Stones: Batdorf & Stanley- All Wood & Stones
> ["Keith Cook"
> <cookk@digis.net>]
> silver
> [BCMcLane@aol.com]
> Getting Hives
> [erhoek@comcast.net]
>
> ----------------------------------------------------------------------
>
> Date: Mon, 25 Oct 2004 17:56:45 -0700
> From: Mike Nattboy <paris2000@comcast.net>
> To: audities@smoe.org
> Subject: Re: SNL
> Message-ID: <E8A2352C-26E9-11D9-965B-000393BB2598@comcast.net>
>
> Yeah those were the days when SNL was actually hip unlike in recent
> years when they've tried to look hip by booking all the acts the
> marketing folks at big media companies tell SNL what is hip to the
> 14-30 year old demographic.
>
> It's what Lester bangs refer to as "the industry of cool."
>
> SNL ain't what it used to be!
>
>
> On Monday, October 25, 2004, at 05:41 PM, MCGaudio@aol.com wrote:
>
> >
> >> "Eytan Mirsky" <eytanmirsky@hotmail.com> wrote:
> >>
> >> While I didn't see the debacle with Ashlee Simpson, I think that
> the
> >> real
> >> vitriol should be directed at SNL and uber-sellout Lorne Michaels.
> >
> > I'm always amazed when I see a repeat of an old SNL and the
> musical
> > guest is
> > Ornette Coleman or someone else equally non-commercial (okay,
> someone
> > else
> > non-commercial, not equally!) It did used to be an outlet to see
> some
> > interesting non-mainstream music.
> >
> > Mark
> >
>
>
> ------------------------------
>
> Date: Tue, 26 Oct 2004 00:07:52 -0400
> From: Mike Nicholson <mnick@nc.rr.com>
> To: audities@smoe.org
> Subject: Re: SNL
> Message-ID: <p05010400bda37dc863c2@[192.168.0.100]>
>
>
> >SNL ain't what it used to be!
>
>
> Ah, remember... Gil Scott Heron, Sun Ra, Loudon Wainright, Jr., Fear?
>
> Good times.
>
> M
> --
> __________________________________
> http://www.sparklefest.com
> T-shirts, programs, CD's all on sale!
>
> ------------------------------
>
> Date: Mon, 25 Oct 2004 21:20:14 -0400
> From: "Jaimie Vernon" <bullseyecanada@hotmail.com>
> To: audities@smoe.org
> Subject: Re: Ashlee Simpson Meets Milli Vanilli
> Message-ID: <BAY2-F8Z2JQHeFXvjQN000249dd@hotmail.com>
>
> At Date: Mon, 25 Oct 2004 20:18:42 Bill Holmes wrote:
>
> > > In the US, it should be a no-brainer...
> >
> >In that case, the music industry is perfectly qualified.
>
> Hey, we Canadian music types are right up there, too :-)
>
> Jaimie Vernon,
> President, Bullseye Records
> http://www.bullseyecanada.com
> Author, Canadian Pop Music Encyclopedia
> http://www.canoe.ca/JamMusicPopEncycloPages
>
>
>
> ------------------------------
>
> Date: Mon, 25 Oct 2004 22:13:28 EDT
> From: Donmand@aol.com
> To: audities@smoe.org
> Subject: Re: Underground Garage & Cotton Mather
> Message-ID: <1f0.2de6988d.2eaf0cc8@aol.com>
>
> I'll give McCarl a call if the Cotton Mather Reunion happens!
> Thanks a lot DexterGreen!
>
> Don
>
> In a message dated 10/25/04 8:02:16 PM Central Daylight Time,
> audities-owner@smoe.org writes:
> Date: Mon, 25 Oct 2004 18:19:18 EDT
> From: Popdude@aol.com
> To: audities@smoe.org
> Subject: Re: Underground Garage & Cotton Mather
> Message-ID: <79.36b97a11.2eaed5e6@aol.com>
>
> Donmand:
>
> <keeps "plugging" their music? (on the Underground Garage). Their
> CD's will
> start
> to sell in volumes...and they'll reform, record again and Tour! I
> can only
> hope....and dream!>>
>
> And if they can't get all the original members together, perhaps
> Scott McCarl
> can join them on their tour.
>
> (just kidding, don!).
>
> JB
> np: MARKUS HOLLER
>
> ------------------------------
>
> Date: Mon, 25 Oct 2004 22:29:02 -0400
> From: "Adam Waltemire" <aawgoon@cfl.rr.com>
> To: <audities@smoe.org>
> Subject: Brian Wilson and Cliff Hillis on UnderGround Radio
> Message-ID: <008f01c4bb03$8eca11c0$dcbf2141@DCT8K541>
>
> This coming Saturday's UnderGround Radio will have two Featured
> Artists:
> Cliff Hillis and Brian Wilson.
>
> I had the pleasure of interviewing Brian this past week, and we will
> be
> airing the interview on the October 30th episode. He was in
> Melbourne, FL to
> perform at the King Center, and his management team was kind enough
> to grant
> me an interview. It was an honor talking to him, and such a trip
> when he
> started asking me about my band, Ruin the Rain. Fun stuff.
>
> Cliff Hillis will be calling in for a brief interview and to take
> calls from
> fans.
>
> The show can be heard online at www.ugr.us by clicking on the Listen
> icon.
> We go like at 10:06 pm est.
>
> 321-254-4006, 321-254-2282 and 1-888-367-9635
>
>
> - Adam Waltemire
> - www.adamwaltemire.com
> - Soda Story Goes is available again (with bonus tracks)
>
>
> ------------------------------
>
> Date: Tue, 26 Oct 2004 11:42:24 +1000
> From: "info" <info@popboomerang.com>
> To: <audities@smoe.org>
> Subject: Popboomerang Sale
> Message-ID: <01ce01c4bafd$0b75d3a0$0201a8c0@popboomerang>
>
> Hey guys! We have decided to have a 2 week long Popboomerang
> Sale to raise funds for the pressing & promotions of the upcoming
> "epic"
> double album "Planet Of The Popboomerang 2"
>
> Check out all the prices at
>
> http://www.popboomerang.com/news.html
>
>
> Scotty/popboomerang
>
>
> ------------------------------
>
> Date: Mon, 25 Oct 2004 23:22:23 EDT
> From: DanAbnrml9@aol.com
> To: audities@smoe.org
> Subject: Re: Rocking My World
> Message-ID: <1ab.2ac9f92a.2eaf1cef@aol.com>
>
> In a message dated 10/25/2004 11:02:22 AM Eastern Standard Time,
> audities-owner@smoe.org writes:
>
> << Does it continue the unfortunate tendency to ignore the
> pre-"Loaded"
> material entirely? No reason for Bobby to be embarrassed of songs
> like "It Happens" and "Velocity Girl." >>
>
> Actually, it does ignore that stuff, which is too bad. Ive never
> heard any of
> it though I was somewhat curious. -J
>
> ------------------------------
>
> Date: Mon, 25 Oct 2004 21:09:14 -0600
> From: "Keith Cook" <cookk@digis.net>
> To: <audities@smoe.org>, <audities@smoe.org>
> Subject: Acoustic Stones: Batdorf & Stanley- All Wood & Stones
> Message-ID: <000b01c4bb09$2f658a60$52790a0a@SGTPEPPER>
>
>
> I recently came across a release which some of you may enjoy. "All
> Wood And
> Stones" by Batdorf & Stanley.
>
> John Batdorf (Batdorf & Rodney/Silver) and James Lee Stanley (Two
> Man Band
> w/ Peter Tork/Mike Nesmith)have taken 11 classic stones songs and
> given them
> a California acoustic feel. Imagine Mick Jagger and Keith Richards
> as
> California boys with acoustic guitars. Fans of CSNY, Buffalo
> Springfield,
> America, Beach Boys will be pleased. The arrangements are beautiful
> and the
> vocal harmonies shine. They have enlisted some help from Laurence
> Juber
> (Paul McCartney/Wings), Peter Tork (Monkees), Timothy B. Schmit
> (Poco/Eagles), Paul Barrere (Little Feat), Ken Lyon (Divinyls,
> Lemonheads,Evan Dando), Scott Breadman (Lindsey Buckingham) , Laura
> Hall.
>
> The result is a pleasing acoustical interpretation of the Stones
> material.
> Listen to sound clips and decide for yourself. I am really enjoying
> it.
>
> http://www.allwoodandstones.com/awsdesign/
>
> or
>
> http://home.earthlink.net/~batmacmusic/
>
> Take Care,
> Keith Cook
>
>
>
>
> ------------------------------
>
> Date: Tue, 26 Oct 2004 00:12:41 EDT
> From: BCMcLane@aol.com
> To: audities@smoe.org
> Subject: silver
> Message-ID: <6.3675434c.2eaf28b9@aol.com>
>
> anyone dig batdorfs band from the 70s silver (wham bam)
>
> ------------------------------
>
> Date: Mon, 25 Oct 2004 19:44:35 +0000
> From: erhoek@comcast.net
> To: "Stewart Mason" <craigtorso@verizon.net>, audities@smoe.org
> Subject: Getting Hives
> Message-ID:
>
<102520041944.5946.417D57A0000099990000173A2200750744050A01089D0A@comcast
.net>
>
> I may be wrong but I think you are thinking of the White Stripes
> when speaking of Sympathy for the Record Industry. The Hives were on
> Joe Foster and Al McGee's Poptones label in the UK and Epitaph
> signed a deal with the Burning Heart label here before doing the
> Interscope deal.
> -r
> -------------- Original message --------------
>
> > ----- Original Message -----
> > From: "Jaimie Vernon"
> > >>The problem is that most teenagers latch on to what they're
> force
> > >>fed
> > >>via commercial radio, TV, commercials, the record industry. The
> > >>industry
> > >>has a proven record of success with marketing teen singers to
> > >>teenage
> > >>audiences.
> > >>If a big record company pumped millions of dollars into
> promoting
> > >>the
> > >>Shazam, they
> > >>may or may not make a pay-off...regardless of the music or
> talent
> > >>the Shazam may
> > >>posses. Any label with half a brain wouldn't take that
> risk...and I
> > >>don't
> > >>blame them.
> > >
> > > Yeah, I belive this same conversation came up a few years ago
> about
> > > Fountains Of Wayne. Funny what can happen when a label DOES get
> > > behind things.
> >
> > Well, in that case, what happens is that a band that's on its
> third
> > fine album gets tagged a novelty one-hit wonder: "Mexican Wine"
> and
> > "Bright Future In Sales" didn't make one-tenth the impact of
> "Stacy's
> > Mom," despite being just-as-good, if not better, songs. (Frankly,
> > "Bright Future" is probably my favorite FoW song of all time.) And
> > unfortunately, if those stories that started circulating last
> summer
> > are true, and Chris is displeased about the band's newfound
> notoriety
> > being due to a song he considers a lightweight joke (a deeply odd
> > statement coming from the man who wrote "Leave the Biker"), then
> that
> > might have a serious adverse effect on the band's future
> development.
> > All in all, I'm afraid that the Fountains of Wayne story might end
> up
> > being a cautionary tale of the "be careful what you wish for"
> variety.
> >
> > The Hives, mentioned in Jeff's initial post, may already be
> feeling
> > the same effect: unfortunately, my wife seems to have swiped the
> last
> > couple issues of Entertianment Weekly to read on the subway, but
> sales
> > figures for TYRANNOSAURUS HIVES were quoted a couple weeks back.
> It
> > was some number like 24,000 or 36,000 copies, and the implication
> was
> > that it was one of the biggest sales disappointments of the
> summer. I
> > don't claim to speak for anyone else who has ever released a
> record,
> > but I could only dream of a "disappointment" like that. If the
> Hives
> > were still on Sympathy for the Record Industry, they and their
> label
> > would be over the moon with sales figures like that, but in the
> > post-consolidation age, that's enough to get their nattily-attired
> > asses bounced off of Interscope by the end of this year, if the
> > decision hasn't been made already.
> >
> > The sad truth is, no matter what kind of public splash individual
> > songs and individual albums might make every so often -- and let's
> not
> > forget, the simple fact that bands like the Hives and Fountains of
> > Wayne *have* been getting the occasional big splash lately is most
> > encouraging -- the style of music beloved by Auditeers far and
> wide is
> > now and for the foreseeable future will remain a niche market, one
> no
> > bigger than the audience for European death metal. The world of
> > Ashlee and Jessica and their like is as alien to these bands as
> the
> > world of SHREK 2 is to those little Asian movies I go to at the
> > Brattle and the Harvard Film Archive: it's entirely possible to
> like
> > both, yes, but the likelihood that any more than a few thousand
> > moviegoers in the US will be interested in a movie about a bicycle
> > messenger in Beijing trying to relocate his missing wheels is
> quite
> > small. But what's better: complaining endlessly about the horrible
> > injustice in the world that allows deriviative crap like A SHARK'S
> > TALE to be the biggest movie in the country when dozens of other,
> > better, movies can't even get distribution off the festival
> circuit,
> > or leaping into the festival circuit and enjoying what's there on
> its
> > own smaller-scale terms?
> >
> > S
> >
> >
> >
> =======================================================================
>
> > Detailed Audities-List information:
> > To manage your Audities List settings or unsubscribe:
> >
> ------------------------------
>
> End of audities-digest V2 #800 (10 msgs)
> **********
>
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