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From "Stewart Mason" <craigtorso@verizon.net>
Subject Re: Shazam and Ashlee rock the charts
Date Tue, 26 Oct 2004 03:53:37 -0400

[Part 1 text/plain iso-8859-1 (2.0 kilobytes)] (View Text in a separate window)


----- Original Message ----- 
From: <garymaher@juno.com>
To: <audities@smoe.org>
Sent: Tuesday, October 26, 2004 2:38 AM
Subject: Re: Shazam and Ashlee rock the charts


> On Mon, 25 Oct 2004 14:00:13 -0400 audities-owner@smoe.org writes:
>> > Please.  When it's established that lots and lots and lots of
>> > teenagers really want to hear a band rip off Cheap Trick adn the
> Move,
>> > then the Shazam will reach that audience.  Not before.
>
> . . . who were just ripping off the Beatles.
>
> Or is that why they didn't sell?

I genuinely still have no idea why the Move never did a thing in the 
States and were basically ignored after their initial stretch of 
singles in the UK.  I still submit that they're one of the few UK 
bands of the class of '66-'67 who made it all the way into the '70s 
with their artistic credibility intact: pretty much them, Pink Floyd 
and maybe a few others.  (The Soft Machine just miss the deadline: it 
was all diminishing returns after THIRD.)  But frankly, I always 
thought they owed much more to the Kinks and the Who than the Beatles; 
it wasn't until Jeff Lynne was on his own that that fetish started up 
in full.  Still, I don't think "Flowers in the Rain" would shift many 
units in 2004; as for Cheap Trick...hell, not even us folks in their 
loyal fanbase liked that last record much!

Speaking of freakbeat-era bands, there's a new Creation album coming 
out on Rev-Ola called PSYCHEDELIC ROSE and subtitled "The Great Lost 
Creation Album."  It is with a heavy heart that I must report that the 
album is basically unmitigated shit, a reunion album that Eddie and 
Kenny recorded in the mid-'80s that features weak songwriting, 
middling performances and godawful production that throws every Phil 
Collins-era cliche into the mix.  Avoid with extreme caution, if only 
to spare yourself the truly wretched remake of "Making Time," a song 
that definitely was not screaming to be updated.

S



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