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From erhoek@comcast.net
Subject Re: Wilson/McCartney in 2005?
Date Thu, 07 Oct 2004 12:37:23 +0000

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-------------- Original message -------------- 

> From Pitchfork: 
> 
> James Gregory reports: 
> So earlier this year, when you picked up a copy of 
> Brian Wilson's first 2004 release, Gettin' in Over My 
> Head and skipped over to "A Friend Like You", the 
> highly anticipated duet with Paul McCartney, what was 
> your first reaction? Yeah, that's about what we 
> thought. Well, you're not alone. The general consensus 
> among critics and fans (other than that the album has 
> the most God-awful cover art of the year) is that 
> while his duet with the ex-Beatle was noteworthy as a 
> historic musical event, the resulting track was 
> unfortunately a colossal misuse of both artist's 
> talents. Well, according to WhatGoesOn.com, the actual 
> sessions for the song reportedly went "so well" that 
> the pair have decided to take another crack at a 
> musical partnership sometime in 2005. 
> 
> Details are sketchy as of yet, but the word from 
> Wilson himself is that the two legends will reconvene 
> next year to record a full-length album together. 
> Speaking of his future plans after wrapping up 2004's 
> critically acclaimed Smile tour, Wilson explained: 
> "I'll make a rock 'n' roll album with Paul. That's 
> going to happen next year. Paul is way out there. He's 
> a complete original." 
> 
> But the proposed McCartney project isn't the only 
> rumored album activity for the former Beach Boy. As 
> fans may have noticed, recent Wilson interviews have 
> made it clear that his conquering of the 
> long-abandoned Smile has helped to reawaken the 62 
> year-old's confidence behind the recording console. In 
> an interview with Steve Taylor on XFM, Wilson alluded 
> to the possibility of another new release. When Taylor 
> asked about a possible follow-up to Smile, Wilson 
> responded, "Yeah, if it's successful, boom [snaps 
> fingers]... we'll make another one" As he appears to 
> have once again mastered the multi-sectioned recording 
> technique he once pioneered on tracks like "Good 
> Vibrations" and "Heroes and Villains", it'll be 
> interesting to see how this possible project develops 
> with current studio technology at his disposal. 
> 
> And while you have Smile on the brain (as, admittedly, 
> we do), we have yet more news in our continuing 
> coverage of the recently resurrected album. While the 
> standard release of the disc debuted in stores on 
> September 28th, Amazon.co.uk is now making a exclusive 
> version of the album available on their website. 
> According to a product description on the site, the 
> special edition features deluxe packaging that 
> "comprises a white box with 3D shadowbox embedded in 
> the lid. This shadowbox is a recreation of the artwork 
> from the centre pages of the album booklet and 
> contains movable figures. The CD is housed in a custom 
> slipcase. One in four copies will be signed by Brian 
> Wilson; these will be randomly allocated." The set is 
> going for £52.99, which at the current exchange rate 
> roughly translates to about $94 USD-- a pricey 
> souvenir, considering there's no extra music included. 
> 
> Unsurprisingly, the official release of SMiLE has also 
> drummed up fresh interest in the album's long, strange 
> history. Several file-sharing services have recently 
> seen a wealth of the original 1967 SMiLE sessions 
> being traded back and forth by curious users. Many of 
> the tracks are bootlegs of unfinished songs that have 
> never officially been issued on commercial albums or 
> compilations, and even include original session 
> rarities that weren't integrated into Wilson's 2004 
> version, such as "Earth Chant", "He Gives Speeches" 
> (which later became the Smiley Smile track "She's 
> Goin' Bald"), and the "Revolution 9"-esque "George 
> Fell into His French Horn". 
> 
> While handwritten tracklists, session logs, and Wilson 
> interviews from the era have given longtime Smile 
> obsessives a basic idea as to how the original 1967 
> version would have played out if released, the 2004 
> version has seen many fans re-evaluating their 
> original thoughts on the sequencing, as they assemble 
> their precious bootlegged tracks according to the 
> alternate sequencing found on Wilson's recent 
> re-recording, in an attempt to craft a definitive 
> version of the original album. 
> 
> While we may never truly know how Smile would have 
> turned out if Wilson had managed to complete it in 
> 1967, the older tracks-- many of which can be found 
> legally on The Beach Boys' 1993 box set, Good 
> Vibrations: Thirty Years of the Beach Boys-- make for 
> some interesting comparisons to fans only familiar 
> with the recent Wilson release. They also underscore 
> just how tremendous an accomplishment the new version 
> is, as Wilson, with the help of The Wondermints, was 
> able to practically duplicate the original sessions 
> note-for-note, and in some cases improve upon them. 
> 
> 
> ===== 
> Chicago Pop Show Report on Yahoo Groups: 
> http://launch.groups.yahoo.com/group/chicagopopshowreport/?yguid=162827291 
> 
> Music reviews: http://www.fufkin.com 
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