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From "Michael Bennett" <mrhonorama@hotmail.com>
Subject Re: Gimme a Tim.../Japan
Date Wed, 04 Aug 2004 01:19:09 -0500

[Part 1 text/plain (2.7 kilobytes)] (View Text in a separate window)

1.  When I was about seven or eight, and had been playing hockey for a 
couple of years, I went to the barber shop.  My barber pointed two chairs 
down, and there he was...Stan Mikita.  I was awestruck and couldn't get a 
word out, but the barber snagged me an autograph...which my mom threw away a 
few years later...

2.  Japan got uneven critical response during their lifetime, but I always 
liked what I heard.  I have to check those albums out.  In a somewhat 
similar vein, I picked up an Ultravox comp, covering their pre-Midge Ure 
years on Island.  Some good songs, a few which became the template for Gary 
Numan.  Right now, however, I'm obsessed with the Bowie-esque "Rock Wrok".

Mike "Insomniac" Bennett



Record reviews and more at http://fufkin.com
Find out about Chicago shows: 
http://launch.groups.yahoo.com/group/chicagopopshowreport/


>From: Stewart Mason <flamingo@theworld.com>

>At 01:11 AM 8/4/2004 -0400, Jaimie Vernon wrote:
> >>I still consider Tim Horton to be hockey's premier cultural touchstone.
> >>Screw the Leafs, gimme an apple fritter and a large coffee to go.
> >
> >What, no Stan Mikita's?!? :-)
>
>Okay, has *everyone* just re-watched WAYNE'S WORLD or something?  This is
>the third reference to Stan Mikita's someone I know has made since Charity
>and I got the movie from Netflix a couple weeks ago.
>
>During this ongoing debate tonight, I've been rather obsessively listening
>to two new Newbury Comics purchases, recent UK reissues of Japan's two
>classic albums, GENTLEMEN TAKE POLAROIDS and TIN DRUM.  Nothing at all to
>do with the Beatles -- more like what would have happened if Eno had
>launched a revolution and taken over complete creative control of Roxy
>Music -- but I can't remember when I last listened to these albums (several
>years, at least) and, as always, I'm just incredibly struck by their sheer
>perfection.  These albums are really the pinnacle of the artsier end of UK
>post-punk, and yet they actually had some songs that worked as singles too,
>like "Still Life In Mobile Homes" and "The Art of Parties."  Highly
>recommended, if you've never heard them, and at least at Newbury Comics,
>nice-priced: $11.88 for the single-disc GENTLEMEN TAKE POLAROIDS (with
>three bonus tracks from the "Taking Islands In Africa" single, still my
>favorite thing this band ever did) and $16.99 for the two-disc TIN DRUM,
>which includes the UK-only THE ART OF PARTIES EP as a bonus disc and is
>beautifully packaged in a nice little cardboard box.
>
>S
>
>

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