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From <nonstoppop@cox.net>
Subject Re: Loving and Loathing (was Fotomaker)
Date Tue, 24 Feb 2004 12:53:22 -0500

[Part 1 text/plain ISO-8859-1 (1.2 kilobytes)] (View Text in a separate window)

> The glaring example of this that comes to mind is Marah. Their first two 
> albums were excellent, especially Kids in Philly, on of my fave albums of 
> the last few years. The follow up to Kids, Float Away With the Friday Night 
> Gods, is a pile.

A pile which is the only thing I've ever heard by them, but which I quite enjoy.  But, then, it's all where you first enter a band's catalog...

...which leads me into my own example:  Public Image Limited's "Second Edition."  I first discovered PiL with "Cassette" (a.k.a. "Album" and "Compact Disc"), then ventured forth into "Happy?" and "9," and I loved and continue to love all those albums.  Then I started working my way back.  While I enjoy "Public Image" and "This Is what you Want...This Is what you Get" (but don't have "Flowers of Romance, so I can't comment on it), I used to own "Second Edition" but eventually traded it away because I just couldn't listen to it.  Maybe if I'd evolved with our man Johnny over the years, I could dig it...but I didn't enter into his music until he'd gone relatively mainstream with his sound, and I just can't stomach the sounds on "Second Edition."  It just does nothing for me.


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