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From Randall J Paske <rpaske@kc.rr.com>
Subject Yet another top 20
Date Fri, 16 Jan 2004 17:41:16 -0600

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Most years I hold actual playoffs to help me figure out where to put 
things.  This year's list is more intuitive, as I just haven't had the time 
to go back and review everything.  It's still a pretty thoroughly 
considered list, though.

Overall, I'd say I didn't hear as many fantastic albums in 2003 as in prior 
years.  In 2002, for example, it was plainly obvious that Idlewild's THE 
REMOTE PART would be my #1 pick.  This year, I hadn't a clue what would be 
#1 until I started making lists of contenders.  As well, my #2 and #3 picks 
from 2002 (Cinerama and Neko Case, respectively) would easily overrule 
anything on my 2003 list.  But that's not to say there weren't a lot of 
really good records.

So this is my list:

2003 TOP 20:

  1 BUZZCOCKS.  Those who know me know that this is my all-time favorite 
band and might assume that this is either an obvious choice or a 
sentimental pick.  But that's not true.  Because the individual songs on 
this record are not as sharp as on their classic albums, this album took me 
a little while to get into.  I think even latter-day albums like TRADE TEST 
TRANSMISSION and the unduly ignored MODERN have some greater, more 
immediate songs.  But when this sank in, it refused to let go for a good 
long time.  And I always admired its velocity and ferocity--it's the most 
biting Buzzcocks album there is.

  2 THE PERNICE BROTHERS - Yours, Mine and Ours.  Joe Pernice never ceases 
to amaze me as a songwriter.  "The Weakest Shade of Blue" is my song of the 
year.

  3 THE HANG UPS - The Hang Ups.  I can only assume this wasn't on many 
(any?) lists I've seen because of its late release date.  I was tempted to 
leave it off my list so I can vote for it in 2004.  I ordered it from 
www.hangupsmusic.com and got it in December.  The Hang Ups are one of my 
favorite bands, and this is one of those records that you're not quite sure 
you like so much at first (I missed the more overt Kinks-isms of their last 
album), but before you know it you don't want to play anything else.

  4 THE NEW PORNOGRAPHERS - Electric Version.  Unlike many, I'm not such a 
fan of Dan Bejar's songs (actually, the songs aren't bad--it's his voice 
that turns me off, for some reason).  But it's still a pretty fabulous 
record.  And if I was initially dismayed because there wasn't enough Neko, 
I came to realize that her voice was used perfectly on all the songs we 
got.  Maybe we just need a few others for her to sing lead on.

  4.5 ULTIMATE FAKEBOOK - Before We Spark.  As an EP, it's ineligible for 
the Audities poll, but I love it a lot.  "Rotting on the Vine" is another 
fine addition to the "bitching about record labels" genre.  I wish this 
weren't their swan song.

  5 NADA SURF - Let Go.  This really took me by surprise, but Nada Surf has 
grown with every record they've made.  (And I never really expected 
anything after their old MTV novelty hit.)  "Inside of Love" falls 
somewhere between Coldplay (but better) and Big Star.  "Blizzard of '77" is 
just beautiful.  There are a couple I don't like (that French thing), but 
otherwise this is impressively strong.

  6 THE BELLES - Omerta.  A superb record with local origins.  It wouldn't 
sound out of place between Aimee Mann and Elliott Smith.  They'll be 
touring the UK with the Pernice Brothers this spring.  See www.thebelles.com.

  7 GUIDED BY VOICES - Earthquake Glue.  Another year, another fine Guided 
By Voices record.  It's not the knockout punch of an ISOLATION DRILLS or 
BEE THOUSAND, but it's no embarrassment.  I think if you stuck the first 
half of this album onto the second half of last year's UNIVERSAL TRUTHS AND 
CYCLES, you'd have something that would rank a lot higher for me.  But I 
ain't disappointed.

  8 CARLA BOZULICH - Red Headed Stranger.  A terrific remake of the Willie 
Nelson album.  It's really good to hear her voice again.

  9 CROOKED FINGERS - Red Devil Dawn.  This one snuck up on me, but it sure 
sank in.  I don't know what else to say.

10 YO LA TENGO - Summer Sun.  A bit too long and hard to get a handle on, 
but with Yo La Tengo, it's always worthwhile to keep listening.

11 CINERAMA - Live in Belfast.  I can include a live album, can't I?  This 
one has great songs, including a few Wedding Present chestnuts, plus 
hilarious banter.  And it's well-recorded.  And I heart Cinerama.

11.5 JOHN WESLEY HARDING - Garden of Eden EP.  Ineligible, but this is 
where it belongs.  The alternate versions of songs from WHY WE FIGHT are 
very good (and that's my favorite Wes record).

12 THE BANGLES - Doll Revolution.  I wish it rocked a little more--it's 
rather adult-contemporary after the first few songs--but considering 
everything, this is still the second-best Bangles album.  First, of course, 
is the amazing ALL OVER THE PLACE.

13 OUTKAST - The Love Below/Speakerboxx.  THE LOVE BELOW is the best Prince 
album since Beck's MIDNITE VULTURES.  It was particularly so after I burned 
myself a copy minus the skits and the tedious version of "My Favorite 
Things."  Big Boi's half is OK but doesn't do much for me.  The whole thing 
gets docked for overload, but boosted for ambition.

14 THE JAYHAWKS - Rainy Day Music.  The first half is great, but it peters 
out a bit.  And I thought I might like a stripped-down Jayhawks record even 
*more* than this.  It's a whole lot better than the last one, but am I the 
only person who thinks SOUND OF LIES is tragically underrated?  I'd even 
call it their best!

15 LUCERO - That Much Further West.  A strong alt-country entry by a band 
on the rise.  I like some of the alternate versions on the bonus disc even 
better than the "real" versions, though.

16 AL GREEN - I Can't Stop.  Al Green, working again with Willie 
Mitchell?  On secular tunes?  I'm so there.  Things flag a bit after the 
strong first half (it's truly a modern phenomenon), but it's hard to touch 
some of this stuff.

17 RADIOHEAD - Hail to the Thief.  They brought back some of the 
tunefulness, but I still need to be in the right mood.  When I am, it's great.

18 JOE STRUMMER & THE MESCALEROS - Streetcore.  Because it wasn't quite 
finished when Strummer died, some of this comes across as a bit too 
loose.  But in the wake of his death, songs like "Long Shadow," "Redemption 
Song," and "Silver and Gold" take on an emotional weight that cannot be denied.

19 MATTHEW SWEET - Kimi Ga Suki * Raifu.  Freewheeling and fun, and it's 
good to have the old lineup back.

20 EVAN DANDO - Baby I'm Bored.  Initially it seems lethargic, but after I 
while I came to think of this as his most consistent record in over a decade.

*****

HONORABLE MENTION:  Fountains of Wayne, Paul Westerberg, the Exploding 
Hearts, Walter Clevenger and the Dairy Kings, the Persian Rugs, the Pills, 
the Cardigans, Ilya, Yo La Tengo (EP), the Groovie Ghoulies, the 
Go-Betweens, King Radio (EP), the Minus 5, the Autumn Defense, Longwave.

*****

FAVORITE 8 SONGS OF 2003:

1 The Pernice Brothers - "The Weakest Shade of Blue"
2 Nada Surf - "Inside of Love"
3 Guided By Voices - "The Best of Jill Hives"
4 Yo La Tengo - "Season of the Shark"
5 OutKast - "Hey Ya"
6 The Exploding Hearts - "Modern Kicks"
7 Cinerama - "Don't Touch That Dial"
8 Robert Pollard - "Harrison Adams"

after that, it gets too complicated to rank them

*****

MOST DISAPPOINTING ALBUM BY A FAVORITE BAND:

CHEAP TRICK - Special One.

*****

BOUGHT AND SOLD (i.e. "Sorry, I don't get it"):

Damone
The Like Young
Rooney
The Sounds

*****

FAVORITE MOVIES:

1 Spellbound (technically a 2002 release)
2 American Splendor
3 Rabbit-Proof Fence (technically a 2002 release)
4 Lost in Translation


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