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ivan@stellysee.de
| From | ronald and karen sanchez <eldeluxe@mcn.net> |
| Subject | Re: Now what? |
| Date | Thu, 04 Dec 2003 10:37:11 -0800 |
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Stewart Mason wrote:
>
>
> Yeah, ......... I'm struck once again
> by how genuinely fine Fleetwood Mac's KILN HOUSE through MYSTERY TO ME
> period was. These are records I come back to every few years --
There is some great stuff on these three. Danny Kirwin's last stand.
> the last
> time it happened was when I found Bob Welch's FRENCH KISS in the dollar
> bins,
Bob Welch is a sore spot for me. I suppose he's ok, but he was an otherwise
unpleasant person. On top of that someone I used to know lost a stack of reel
to reel tapes of mine, when he got mugged going to see Paris, Welch's band
with the Sales bros. Why he took these to the gig I'll never know, but worse
he made no effort to replace them!!
> which I'd loved as a kid, and spent a long snowed-in weekend playing
> BARE TREES over and over -- and as much as I like the Peter Green records
> and as much as I feel the FLEETWOOD MAC/RUMOURS/TUSK trifecta was their
> artistic as well as commercial peak, there's a mood to these records that I
> find incredibly appealing.
I does show how many distinct phases of the Mac there were. I'm not even that
wild about the earliest Mac things, they were such a let down after Hard Road.
>From Need Your Love So Bad on wards it got very interesting. Most interesting
when the Fake Fleetwood Mac came over and tried to tour the US...hahahhaha
I find it most curious that Then Play On really doesn't have any Jeremy
Spencer on the record. Too bad they didn't just ditch him like the considered
and carry on as a four piece. Imagine what those Boston gigs would sound like
if there was 1/3 more Green and Kirwin songs?
>
>
> S
>
> NP: "Pardon My Heart" -- Neil Young
-- Ronald Sanchez
Director Of A&R
Career Records
www.CareerRecords.com
The Donovan's Brain Web Site
www.Donovans-Brain.com
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