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ivan@stellysee.de
| From | ronald and karen sanchez <eldeluxe@mcn.net> |
| Subject | Re: live track tricks |
| Date | Fri, 25 Jul 2003 18:24:18 -0700 |
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I was at one of the Frampton shows. My pals Man opened. I think the crowed did
really go nuts at Winterland. Frampton was pretty popular in the Bay Area, a
little ahead of the rest of the country. I'm sure that's why they recorded those
shows.
Still easily could have added more audience.
My guess that most any 60's "live" record has at least an audience loop added, if
not as you mentioned it's just a studio recording with crowd added. see: Johnny
Rivers live at the Whisky for details.
RS
RS
"Billy G. Spradlin" wrote:
> >Were there lots of live releases that borrowed crowd sounds from Woodstock or
> >other famous events?
>
> I know of a few from the 60's - Some sleesy record companies sometimes
> mixed in
> canned appause with studio tracks create a phony live album to fool fans into
> buying the same music again. A collector friend used to have a Duane Eddy
> record on Jamie records that was done this way. And I have an 60's Ventures
> album called "On Stage" where the cover mentions it was recorded live in Japan
> and the USA. The whole album sounds like it was recorded in the same studio
> with an annoying tape loop of appause and whistles repeated over and over
> again.
>
> I heard rumors that Eddie Kramer mixed in sound effects from NFL football
> crouds on Kiss "Alive!" and later "Frampton Comes Alive" to create the effect
> of these then little known acts playing for thousands of fans instead of a few
> hundred or less.
>
> Billy
-- Ronald Sanchez
Director Of A&R
Career Records
www.CareerRecords.com
The Donovan's Brain Web Site
www.Donovans-Brain.com
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