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ivan@stellysee.de
| From | "Robert Sutliff" <Rsutliff@columbus.rr.com> |
| Subject | Re: audities-digest V1 #80 (15 msgs) |
| Date | Thu, 20 Feb 2003 06:38:22 -0500 |
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That's sort of true Michael, but more time is usually spent tracking than
mixing. These days, on major label projects, it's quite common for the mixer
to be someone other than the producer. Don't ask me...
Bobby
> Date: Wed, 19 Feb 2003 16:10:54 -0600
> From: "Michael Bennett" <mrhonorama@hotmail.com>
> To: audities@smoe.org
> Subject: Re: Owslet/recording budgets..
> Message-ID: <F18J1Bh61qLdld0lZbF000159f3@hotmail.com>
>
> Here's a question --
>
> when talking $$$ what is the breakdown between recording and mixing? It
> seems to me that with all the technological breakthroughs that getting a
> decent sound reproduction isn't tough -- but figuring out how to make it
all
> come together is the real challenge.
>
> Mike Bennett
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